- On View Now
Born 1963, Pasadena, CA. Lives and works in Los Angeles, CA
MFA Art Center College of Design, Pasadena, CA
Skowhegan School of Painting and Sculpture, Skowhegan, ME
BA Scripps College, Claremont, CA
Special No. 127, neugerriemschneider, Berlin, Germany
Kaufmann repetto gallery, Milan Italy
Genau or Never, greengrassi, London, UK
Too much night again, The South London Gallery, London, UK
In Love with Tomorrow, Langen Foundation, Dusseldorf, Germany
O R L L E G R O, Vienna, Austria
South London Gallery, London, UK
Museum für Angewandte Kunst, Vienna, Austria
SUMMER XX, The Fabric Workshop and Museum, Philadelphia, PA
Here Today, 1301PE, Los Angeles, CA
Material Mutters, Site Santa Fe, Santa Fe, NM
Restless Rainbow, The Art Institute of Chicago, Chicago, IL
A piece of the almost grey sky..., kaufmann repetto, Milan, Italy
Material Mutters, Toronto, Canada; The Power Plant, Toronto, Canada
St. Louis Museum Art Museum, New Media Series, St. Louis, Missouri
2 Person exhibition with Daniel Buren, Xavier Huskens , Brussels, Belgium
Smoke Knows 1301PE, Los Angeles, California
Lisa Bright and Dark, Taubman Museum of Art, Roanoke, Virginia
Between the Outside In, New Langton Arts, San Francisco, California
Between the Inside Out, Mills College, San Francisco, California
Venice Biennale 2009
Lisa Bright and Dark, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
Mr. Baci e Abracci, Galleria Francesca Kaufmann, Milan, Italy
Too Much Night,Neugerriemschnieder, Berlin, Germany
Hirschhorn Museum and Sculpture Garden, Washington DC
Get Well Soon, greengrassi, London, UK
in no particular order, Manchester Art Gallery, Manchester, England
Sue Crockford Gallery, Auckland, New Zealand
Midnight, Skestos Gabriele, Chicago, IL
another cherry blossom, greengrassi, London, England
Cottonmouth neugerriemschneider, Berlin, Germany
Galerie Ghislaine Hussenot, Paris, France
Perwinkles, 1301PE, Los Angeles, CA
Milton Keyes Gallery, Milton Keyes, England
Hammer Museum, Los Angeles, CA
Amps and Ohms, centre d'art contemporain la Synagogue de Delme, Delme, France
Ohms and Amps, Le Salle de Bains, Lyon, France
Giraffes, Galerie Daniel Buchholz, Cologne, Germany
(untitled), Richard Telles Fine Art. Los Angeles, CA
Fire ‘n’ Nice, 1301PE, Los Angeles, CA
Chamois, Sespe and Foggy, galleria francesca kaufmann, Milan, Italy
Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New Zealand
A grotto, some nightfish and a second city, Contemporary Art Gallery, Vancouver, Canada
The Actual Tigers, greengrassi, London, England
1301PE, Los Angeles, CA
galleria francesca kaufmann, Milan, Italy
Birds and Ships, neugerriemschneider, Berlin, Germany
China Art Objects Galleries, Los Angeles, CA
1301PE, Los Angeles, CA
China Art Objects Galleries, Los Angeles, CA
“WPEP”, Finesilver Gallery, San Antonio, TX
Neapolitan City, 1301PE, Los Angeles, CA
greengrassi, London, UK
"Animal Flood", I-20 Gallery, New York, NY
"Summer Work", Shoshana Wayne Gallery, Santa Monica, CA
Shoshana Wayne Gallery, Santa Monica, CA
Graduate Exhibition, Art Center College of Design, Pasadena, CA
“10, 11” W.C. Gallery, Art Center College of Design, Pasadena, CA
Bliss Gallery, Pasadena, CA
Selected Group Exhibitions
Sweet Sixteen, China Art Objects Galleries, Los Angeles, CA
THE SOFT HOUSE between Art and design, Museo Poldi Pezzoli, Milan
Dhaka Art Summit, Bangladesh Shilapkala Academy, Dhaka, Bangladesh
Pet Shapes, China Art Objects Galleries, Los Angeles, CA
Post – Post – Anxiety, International Art Objects Galleries, Los Angeles, CA
Abstract. Current Process and Hybridity, Galerie Perrotin, Paris, France
This Will Destroy That! Design Matter, Los Angeles. Curated by Davey Whitcraft
Selections from the Grunwald Center and the Hammer Contemporary Art Collection, The Hammer Museum, Los Angeles
TAPIS/TAPISSERIES, Museé d’Art Moderne, Paris, France. Curated by Anne Dressen
DIALOGUES, Schindler House and For Your Art, Los Angeles, CA. Curated by Francois Perrin
Thomas Duncan, Los Angeles, CA. Curated by Carter Mull and P & Co.
Out of Hand, The Museum of Art and Design, New York, NY, Curated by Ron Labaco
Pattern: Follow the Rules, Broad Art Museum, East Lansing, Michigan and The Museum of Contemporary Art, Denver Colorado. Curated by Ali Gass.
Contemporary Tapestry Exhibition, The Museum of Art and Design, New York. NY. Curated by David McFadden
A Point of View: Selected Gifts from the Laurence A. Rickels Collection, Museum of Contemporary Art, Los Angeles
Musée d’Art Moderne Paris, curated by Anne Dressen
Tube map Cover Commissions, The London Transport Museum, London, UK
Once Again Particular, Control Room, Los Angeles, CA. Curtaed by Kevin Hanley
Double Take, Mardin Biennial, various venues, Mardin, Turkey. Curated by Paolo Columbo and Lara Sariaslan
Print Out, The Museum of Modern Art, New York, NY. Organized by Christophe Cherix.
International Orange, Fort Point, San Francisco, CA. Organized by Cheryl Haines and the For Site Foundation
Behold, America! Art of the United States from Three San Diego Museums, The San Diego Museum of Art, San Diego, CA
Make it Work: Material Matters in Art and Design, Palm Springs Art Mueum. Palm Springs, CA
Organic, Centre d’art Contemporain, Geneva, Switzerland. Curated by Paolo Columbo.
Suspense, EX3, Florence, Italy. Curated by Lorenzo Guisti and Arabella Natalini
PLUS ULTRA. Opere dalla Collezione Sandretto Re Rebaudengo, Museo D’Arte Contemporanea Roma, Rome, Italy
Spirit and Space, Collezione Sandretto Re Rebaudengo, Sala de Arte Santander, Madrid, Spain
Everything Must Go, Casey Kaplan, New York, NY. Curated by José Noe Suro and Edward Sarabia
Greater LA, YRB Warehouse, New York, NY, Curated by Benjamin Godsill and Joel Mesler
Paradise Lost, Istanbul Museum of Modern Art, Istanbul
Marea de Nudos, MUAC, Mexico City, Mexico
Fullerton College Art Gallery, Fulerton, California
Whitney Biennial, Whitney Museum of American Art, New York, NY
Contemplating the Void, The Solomon Guggenheim Museum, New York, NY Curated by Nancy Spector
Pièces à vivre, curated by Violaine Daniels, Centre d'art contemporain, Chamarande, France
Königstraum und Massenware, “Utopia Daily” section curated by Katia Baudin Porzellanikon, Selb, Germany.
Alchemy, Reed College, Portland, Orgeon
King Rat, curated by Tessa Giblin, Project Arts Center, Dublin, Ireland
The Tale of a Blind Resistance Fighter, Galerie Paul Andriesse, Amsterdam, Netherlands
One Work, One Room, 1301PE, Los Angeles, California
The Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles, California
The Artist’s Museum – Los Angeles Artists 1980 - 2010, The Museum of Contemporary Art, Los Angeles
Marea de Nudos, Galería Jesús Gallardo, León, Guanajuato, Mexico
Fare Mondi/Making Worlds, 53rd La Biennale di Venezia, Venice, Italy
Mind The Step, 1301PE, Los Angeles, CA
Notation. Calculation and Form in the Arts, ZKM Media Museum, Karlsruhe, Germany. Curated by Dieter Appelt and Peter Weibel.
1999, China Art Objects Galleries, Los Angeles, CA
House is Not a Home, La Calmeterie, Nazelles, France curated by Ingrid Bruchard
Summer Group Show, Cottage Home, Los Angeles, CA
Installations Inside / Out: Armory 20th Anniversary Exhibition, Armory Center for the Arts, Pasadena, CA
Curated by Jay Belloli and Sinéad Finnerty-Pyne
In Bed Together, Royal/T, Los Angeles, CA. Curated by Jane Glassman
From My Universe: Objects of Desire, See Line Gallery, Los Angeles, California
Rock Garden, Salon 94, New York, New York
1301PE, Los Angeles, California
Cohabitation, 13 artists and collage, galleria francesca kaufmann, Milan, Italy
Shhoener Wohner, neugerreimschneider, Berlin
Shoes, Gavlak, South Beach, Florida
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom
Implicasphere: Smoke, Pumphouse Gallery, London, United Kingdom
About Change Collection, Berlin
Alone in the Jungle, Mandarin Gallery, Los Angeles, CA
Darling, Take Fountain, Kalfayan Galleries, Athens, Greece
Half Square, Half Crazy, Villa Arson, Nice, France, Curated by Vincent Pecoil
Skulpture Projekte Munster 07, Munster, Germany
If Everybody Had an Ocean, Tate St. Ives, Cornwall, United Kingdom, traveling to CAPC, Bordeaux. Curated by Alex Farquarson
New Materials as New Media, Contemporary Arts Center, Cincinnati, Ohio. Curated by Kippy StroudLos Vinilos, El Basilico, Buenos Aires, Argentina. Curated by Henry Coleman
The Shadow Cabinet – part II; Route A1, de Appel, Amsterdam, Netherlands, curated by Petra Heck
Six, Williamson Gallery, Art Center College of Design, Pasadena, California.
Alone in the Jungle, Mandarin, Los Angeles, Curated by George Porcari
L.A. Desire, Galerie Dennis Kimmerich, Dusseldorf, Germany, Curated by Wilhelm Schürmann
Darling, Take Fountain, Kalfayan Galleries, Atehns, Greece, Curated by Konstantin Kakanias
Uneasy Angel, Spreuth Magers, Munich, Germany. Curated by Johannes Fricke Waldthausen
No Room for the Groom, An exhibition with Douglas Sirk, Herald Steet, London, UK, Curated by Gregorio Magnani
An Archeology, Zabludowicz Collection, London, UK
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles, CA.
Michel und Seine Freunde, Studio of Michel Majerus, Berlin, Germany. Curated by Jean and Edith Majerus
Running around the Pool, Contemporary Drawings, Museum of Fine Arts, Florida State University. Curated by Terry Lindbloom
Collage Effect, 1301PE, Los Angeles, CA
Material Matters, LACMA, Los Angeles, CA
La Triennale di Milano, Milan (catalog)
Kit-O-Parts, CAN, 1301PE, Los Angeles, CA
We Can Do This Now, The Power Plant, Toronto, Canada
New Acquisitions, Tate London, London, UK
Glass, Material Matters, Los Angeles County Museum of Art, California. Curated by Howard Fox (cat).
HyperDesign, Shanghai Biennale, Shanghai, China. Curated by Jonahton Watkins, Gianfranco Maraniello, Xiao Xiaolan, Lin Shu Min and Huang Du.
Angela Bulloch, Judy Ledgerwood, Diana Thater and Pae White, 1301PE, Los Angeles, CA
Domestique, Gallery Standard, Oslo, Norway. Curated by Eivind Furnesvik and Salome Sommer
Raid Triumverate 4, Raid Projects, Los Angeles, CA. Curated by Pae White.
Il Diavolo del Focolare, Palazzo della Triennale, Milan, Italy. Curated by Claudia Gian Ferrari.
Idylle-Traum und Trugschluss, Sammlung Falckenberg, Hamburg and Kulturstiftung Phoenix Art. Curated by Oliver Zybock and Martje Schulz
Shape without Form, Galleria Francesca Kaufmann, Milan, Italy.
Light X 8, The Jewish Museum, New York, NY. Curated by Ali Gass
Accommodate, St. Paul St, School of Art Design, AUT Des
Among the Ash Heaps of Millionaires, Ancient & Modern, London, UK
Jumex Collection, Mexico City, Mexico. Curated by Alma Ruiz
Four Decades of the Govett- Brewster Art Gallery Collection, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Extreme Abstraction, Curated by Louis Grachos and Claire Schneider, Albright-Knox
Gallery, Buffalo, New York,
The Lateral Slip, Curated by Jan Tumlir, Sweeney Art Gallery, UC Riverside, CA
Interior Worlds, Curated by Vincent Pecoil, Les Filles du Calvaire, Brussels, Belgium,
The Secret History of Clay, Curated by Simon Groom, Tate, Liverpool, England
Strike, Curated by Gavin Wade, ICA, Philadelphia, PA
Strange Weather, Modern Art, London, England
The Raw and the Cooked, Curated by David Pagel, Claremont Graduate University, Claremont, CA
The Hollows of Glamour, Curated by Martin Clark, Herbert Read Gallery, Cantebury, England
Game, Ferragamo, Milan, Italy
Past Present Future: Contemporary Art 1950-present, 2003/2004. The Art Institute of Chicago, Chicago, IL
Sign Language, Museum of Contemporary Art, Los Angeles, CA
Watershed, Curated by Diane Shamash, Minetta Brook, New York, NY
Breathing Water, Curated by Ugo Rondinone, Hauser & Wirth & Presenhuber, Zurich, Switzerland
Utopia Station, Curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija, Venice Bienalle, Venice, Italy
Black Rainbow, Curated by Anne Collier, Lucky Tackle, San Francisco, CA
160 Master Drawings, Curated by Michael Neff, Oldenburg Kunstverein, Oldenburg, Germany
Works for Giovanni, China Art Objects Galleries, Los Angeles, CA
2002 Cola Grants, Barnsdall Art Park, Los Angeles, CA
LEI. Women in Italian Collections, Curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Italy,
Hover, Curated by Pamela Meredith, The Henry Art Gallery, Seattle, WA
Artist’s Gifts, Musuem of Contemporary Art, Los Angeles, CA
Game, Ferragamo, New York, NY
From the Flat Files, Curated by Brian Butler and Amada Cruz, Ramp Gallery, Hamilton, New Zealand
3-D, Curated by Mark Fletcher, Friedrich Petzel Gallery. New York, NY
hell, neugerriemschneider, Berlin, Germany
Richard Hawkins, Stan Kaplan and Pae White, Richard Telles Gallery, Los Angeles, CA
Group Show, Metro Pictures, New York, NY
Strike, Curated by Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England
Intangible, exposición homenaja a Luis Barragán, Curated by Carlos Ashida, Casa ITESO Clavigero, Guadalajara, Mexico
Strolling Through and Ancient Shrine and Garden, Acme, Los Angeles, CA
Bosco, Brain Multiples, JRP éditions, Small Noise, Air de Paris, Paris, France
John Miller, Pae White and Fred Wilson, Metro Pictures, New York, NY
Shimmering Surfaces, Curated by Catsou Roberts, Arnolfini Museum, Bristol, England and Cornerhouse, Manchester, England
Center of Attraction, Contemporary Art Centre, Vilnius, Lithuania, curated by Tobias Berger August 1 - 31, 2002, LA Louver Gallery, Venice, CA
New Work, New Spaces, Curated by Jay Belloli, Armory Center for the Arts, Pasadena, CA
featherweight, Susan Hobbs Gallery, Toronto, Canada.
The Americans. New Art, Curated by Mark Sladen, Barbican Gallery, London, England
Extra Art: A Survey of Artist’s Ephemera 1960-1999, Curated by Steven Leiber, The California College of Arts and Crafts, San Francisco, CA
The Cult, China Art Objects Galleries, Los Angeles
Dedalic Convention, Curated by Liam Gillick. and Annette Kosak, Museum für Angewandte Kunst, Vienna, Austria,
Zero Gravity, Kunstverein, Düsseldorf, Germany
Rogue Wave, LA Louver, Los Angeles, CA
Over…, Unlimited Contemporary Art, Athens, Greece
LA, Monika Sprüth and Philomene Magers, Cologne, Germany
Cheeseburger, Jürgen Becker Galerie, Hamburg, Germany
Circles ?3, Zentrum für Kunst and Medientechnologie, Karlsruhe, Germany
Made in California, 1900 - 2001. Los Angeles County Museum of Art, Los Angeles, CA
Redrawing the Line, Curated by Monica Amor, Art in General, New York, NY
Sex in the Country, Curated by Mai Tu Perret. Forde, Espace d’art contemporain L’Usine, Geneva, Switzerland
Works on Paper, Studio Guenzani, Milan, Italy
What if, Curated by Maria Lind, Moderna Museet, Stockholm, Sweden
Against Design, Curated by Stephen Beyer.Institute of Contemporary Art, Philadelphia, PA
OldNewTown, Curated by Liam Gillick, Casey Kaplan, New York, NY
Papermake, Modern Art, Inc., London, England
After the Goldrush, Curated by Lia Gangitano and Joseph Wolin. Threadwaxing Space, New York, NY
Abstract Painting, Once Removed, Curated by Dana Friis-Hansen, Contemporary Art Museum, Houston, TX (catalogue)
Color Fields, Curated by David Pagel, Luckman Fine Arts Gallery, Cal State LA, Los Angeles, CA
Biomorphic Abstraction, Curt Marcus Gallery, NY, NY.
L.A. Current Looking at the Light, 3 Generations of LA Artists, UCLA at the Armand Hammer Museum of Art, Los Angeles, CA
WAHLVERWANDTSCHAFTEN, Art & Appenzel, Appenzell, Switzerland
Hirsch Farm Project Now: Speculative Environment, Theme Song and Wisconsin Open House, MCA, Chicago, IL
PhotoImage: Printmaking 60’s to 90’s, Museum of Fine Arts, Boston, MA
LA or Lilliput? Curated by Michael Darling, Long Beach Museum of Art, Long Beach, CA (cat)
Flaming June, Curated by Sarah Gavlak, works on paper, inc., Los Angeles, CA
Love at the End of the Tunnel, or the Beginning of a Smart New Day, Curated by Marilou Knode, COCA, Seattle, WA (catalog)
The Unreal Person, Curated by Irit Krygier, Huntington Beach Art Center, Huntington Beach, CA (catalogue)
Three Day Weekend, Curated by Dave Muller, Krinzinger Gallery, Vienna, Austria
In the Polka Dot Kitchen, Curated by Sally Elesby, Otis Art Gallery, Los Angeles, CA and The Armory Center for the Arts, Pasadena, CA (catalogue)
Enterprise, Curated by Christoph Grunenberg, ICA, Boston, MA (catalogue)
Elusive Paradise, Curated by Connie Butler and Stacia Payne, Museum of Contemporary Art, Los Angeles, CA
Best of the Season, Curated by Harry Philbrick, Aldrich Museum, Ridgefield, CT
New Acquisitions and Work from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles, CA
No Small Feet, Rhona Hoffman Gallery, Chicago, IL
[re] - meditation: The Digital in Contemporary American Printmaking, 22nd
International Biennial of Graphic Arts, Ljubljana, Slovenia (catalogue)
Her Eyes are a Blue Million Miles, Curated by Dave Muller. Three Day Weekend in Mälmo, Sweden
Ten Los Angeles Artists, Stephen Wirtz Gallery, San Francisco, CA
New Grounds, University of South Florida Contemporary Art Museum, Tampa, FL
Landscape Reclaimed, Curated by Harry Philbrick, The Aldrich Museum, Ridgefield, CT (catalogue)
Just Past: The Contemporary in MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles, CA
True Bliss, LACE, Los Angeles, CA (catalogue)
Muse-X Editions recent publications, Santa Monica Museum, Santa Monica, CA
Sally Elesby/Pae White, Curated by Lisa Overduin, Four Walls, San Francisco, CA
Mod Squad, Curated by Michael Darling, Spanish Box, Santa Barbara, CA
Ginny Bishton Richard Hawkins Pae White, Richard Telles Gallery, Los Angeles, CA
Open House, Williamson Gallery, Art Center College, Pasadena, CA (catalogue)
HAWAII, with Jorge Pardo, Friedrich Petzel Gallery, New York, NY
Saturday Night Fever, Curated by Michael Cohen and Catherine Liu, Tom Solomon’s Garage, Los Angeles, CA
filmcuts, neugerriemschneider, Berlin, Germany
neotoma, Curated by Renée Petropoulos and Ann Ayers, Otis Gallery, Otis College of Art and Design, Los Angeles, CA
Youth Culture ate My Dog (but I don't really mind), Curated by Kathryn Hixson, Joe Scanlan and Irene Tsatsos. TBA, Chicago, IL (catalogue)
Smells Like Vinyl, Curated by Sarah Seager and Thad Strode, Roger Merians Gallery, New York, NY
Message is the Medium, Castle Gallery, College of New Rochelle, NY
Pure Beauty, Curated by Ann Goldstein, The American Center, Paris, France and MOCA, Los Angeles, CA
Notational Photography, Curated by Friedrich Petzel, Petzel/Borgmann and Metro
Pictures, New York, NY
The Art of Seduction, Curated by Bonnie Clearwater, The Center Gallery at Miami
Dade Community College, Miami, FL. (catalogue)
Watt, Curated by Goose Oosterhof and Chris Dercon, Witte de With, Rotterdam and the Kunsthal, Rotterdam, Netherlands
Identity: The Logic of Appearance, Curated by Shoshana Blank, Krinzinger Gallery, Vienna, Austra
Bad Girls, Curated by Marcia Tucker, The New Museum, New York.
Plane Structures, Curated by David Pagel, Otis Art Gallery, Los Angeles, Renaissance
Society, Pittsburgh Center for the Arts, and White Columns, Wesleyan University Center, Nevada Institute of Contemporary Art, University of North Texas Art Gallery (catalogue)
Green, Curated by Wendy Adest, Bradley Building, Los Angeles, CA
Transtextualism, Curated by Sabina Ott, Mark Moore Gallery, Santa Monica, CA
Cherry Bomb, Curated by Mike Blockstein and Meg Mack, Southern Exposure, SanFrancisco, CA
TIMES, Curated by Andrew Cross, Anderson O’Day Gallery, London, England
Home Alone, Curated by Michael Cohen, Bliss Gallery, Pasadena, CA
The Imp of the Perverse, Curated by Alisa Tager, Sally Hawkins, New York, NY.
Sugar n’ Spice, Curated by Carolanne Klonirides and Noriko Gamblin Long Beach Museum of Art, Long Beach, CA (catalogue)
Into the Lapse, Curated by Brian D. Butler and Jean Rasenberger, Karsten Schubert, London, Friesenwall 120, Cologne, Germany Dogenhouse, Leipzig, Bruno Brunnet
Fine Arts, Berlin, The Royal Danish Academy of Art, Copenhagen (catalog), Société des Expositions, Palais des Beaux- Arts, Brussels, Belgium
Summer Show, Shoshana Wayne Gallery, Santa Monica, CA
Group Show, Elizabeth Koury, New York, NY
Recent Purchases From the Roseview Collection, Curated by Sally Elesby, Roseview Museum, Los Angeles, CA
Detour, Curated by Barbara Duncan and Sandra Antelo-Saurez, International House, New York, NY (catalogue)
The Lick of the Eye, Curated by David Pagel Shoshana Wayne, Santa Monica, CA
Sam Durant, Ed Suman, Andrew Winer and Pae White, Parker Zanic, Los Angeles, CA
Window on L.A., Curated by David Pagel, L.A. Art Fair. (catalogue)
Mixed Media, Mixed Messages, Curated by Paul Darrow, Lang Art Gallery, Scripps College, Claremont, CA
The White Show, W.C. Gallery, Curated by Tom Dolan and Mark Stritzel, Art Center College of Design, Pasadena, CA
Art Center and UCLA at Cal Arts, California Institute of the Arts, Valencia, CA
Myers, Terry. “Pae White’s Welcome Climate Change”, Afterall No. 32, 63 – 71, 62, 64, 65, 66, 69 and 70 illus.
Lane, Mary M., Pieces that Reside ‘On the Edge of the Sublime’, The Wall Street Journal, Saturday/Sunday, January 5 - 6, 2013, C14
Filler, Martin. “The Risk of Being Too Nice”, The New York Review of Books, February 7, 2013
Obrist, Hans Ulrich. DLDarts, Published by Stephanie Czerny and DLD Media GmbH, Munich. 220 illus.
Adamson, Glenn. “Summer Work: The Art of Pae White”, Afterall, No. 32, p. 57 – 61, cover image and 54, 55, 56, 59 and 60 illus
Kröner, Magdalena. “Kunst aus Kalifornien”, Frankfurter Allemeine Zeitung, Friday, April 5, 2013 NR. 79 Seite 31 illus.
Kohler, Michael, 'Filigrane Augentäuscherei', Art - Das Kunstmagazin, Heft 4, April 2013, p. 109
Weckesser, Markus, 'Täuschende Gefälligkeit', TAZ. Die Tageszeitung, 08.04.2013, p. (tbc)
Seelig, Warren. “An Artworld Under the Spell”, Surface Design, Winter 2013, 34 – 35 illus
Pener, Degen. “The Art and Architecture of the Deal”, The Hollywood Reporter, March 8, 2013, 26 – 29, 26 – 27 illus.
Sozanski, Edward J., “Thinking big at Fabric Workshop”, The Philadelphia Inquirer, Art & Entertainment section, Sunday, April 1, 2012, H9 illus.
Knight, Christopher. “He transformed art of ceramics”, The Los Angeles Times, Saturday, February 25, 2012 p.A1 and A4
Michalska, Julia. “New director rings the changes”, The Art Newspaper, Number 241, Dec. 2012, p. 22
Hyland, Veronique. “Fresh Baguettes”, Elle, 126 illus.
Schedlmayer, Nina, “Drachenkampf in Klöppelspitze”, Profil, November 19, 2012, No. 47, p. 113
The Roundel, Edited by Tamsin Dillon. Art Books Publishing Ltd. United Kingdom. P 118 Illus.
Smith, Roberta. “Promising Tyros Join an Art Fair Club”, The New York Times, Weekend Arts, Friday, March 9, 2012. C23 illus. and C29-C30.
Behold, America! Exhibition catalogue. Museum of Contemporary Art San Diego, The San Diego Museum of Art and the Timken Museum of Art, Edited by Amy Galpin. 330 illus
Chang, Jay. “Machine histories”, Metropolis, December 2012, p. 46 - 49, p. 48 illus.
Lehner-Jobst, Claudia. “Die Individualität der Moderne”, Parnass, November 2012, p. 127
Strobl, Ernst P. “Zur Ruhe gebettete Geschichte im MAK”, Salzburger Nachrichten, November 21, 2012
Colman, David O. “Ephemeral Beauty”, Architectural Digest, December 2012. 76, illus.
Rayasam, Renuka. “Number-who-knows-when for takeoff”, Los Angeles Times, Friday November 8, 2012 A8
Borchhardt-Birbaumer, Bridgette. “Rückkehr aus dem Depot”, Wiener Zeitung, November 21, 2012 p. 27
Kronsteiner, Olga. “Eine für das Verständnis geboten Dichte”, Der Standard, Nivember 21, 2012
Print/Out, exhibition catalogue. Cristopher Cherix. The Museum of Modern Art, NY. 47, 88, 104, 107, 152, 227.
Matzner, Alexandra. “Neuaufstellung “Wien 1900” und eine Intervention von Pae White “Others”, Vernissage, No. 308 December – January, 2012, 4 - 8.
Smith, Roberta. “Free-for-all Spirit Breezes into a Vast Art F air”, New York Times, Friday March 4, 2011, C-19
Lubow, Arthur. “It Came from Norway” W magazine, May 2011, 88 – 89 illus.
Dizikes, Cynthia. “Art crashing weddings at museum”, Chicago Tribune, Wednesday, May 18, 2011, 10 illus.
Smith, Roberta. “A Bit of Hollywood, Minus the Tinsel”, The New York Times, Wednesday, June 1, 2011, 6
Visual Art in the Oslo Opera House, “The Stage Curtain”, Press Publishing, Oslo, Norway 66 – 77 illus
20/20, Frieze, Angelo Plessas, September 2011, p 127
Up in the Air, Art + Auction, November 2011. P 70, illus
Emerling, Susan. “Pae White”, Biennale:3, exhibition catalogue, published on the occasion of the 3rd Thessaloniki Biennale of Contemporary Art, The State Museum of Contemporary Art, Thessaloniki,
Greece. 99 – 100. illus
Bodin, Claudia, “L.A. cool”, Art Das Kunstmagazin, October 2011, 20 illus
Verzotti, Giorgio. Pae White” Artforum, September, 2011, 362 – 363 illus
Editor’s Picks, House and Leisure, June 2011, 10 illus
“The Shining”, The Wall Street Journal magazine. December, 2011, 30 illus
Pagel, David. “Beauty and brains in the mix”, Los Angeles Times, Friday, November 18, 2011, D20 - D21. illus
Taschen, Angelika. Interiors Now, Taschen, 106, 110-111 illus.
Jackson, Candace. “The Whitney Biennial turns 75”, The Wall Street Journal, (January 8), W-18 illus.
A House is Not a Home, Exh. cat., BE Contemporary, Paris, France, illus.
Spiller, Nancy. “Smoke and Mirrors”, Arroyo Monthly, (February 2010), 36 – 37 illus.
Walker, Alissa. “Team Hollywood”, The Architectural Newspaper, (January 27, 2010), 4
Camhi, Leslie. “Smoke Signals”, Vogue, (March), 404 illus.
“Questionnaire”, Frieze, (March), 140
Emerling, Susan. “A larger-than-life world view”, Los Angeles Times, (April 18), E-2, 11 illus.
“Jeanne Greenberg Rohatyn”, New York Times, (Design Spring), T-90 illus.
“Live your Art”, Art + Living, (Winter), 106 – 109
Børge, Maria. “Illusjonisten”, Backstage, Intermagasin for Den Norske Opera & Ballett, 8 – 9, illus.
Yablonsky, Linda. “Women’s Work”. New York Times Style Magazine, (Spring), 142-144
Young, Emily. “Artistic Intuition”, California Home + Design, (April), 96 – 103, illus.
2010, Whitney Biennial exhibition catalogue, Whitney Museum, New York, 122 – 123
Galler, Baudouin. Pae White chez Xavier Hufkens, Le Vif/L’Express Weekend, (January 23), 30 – 31 illus.
Holzworth, Hans Werner (ed). Art Now 3, Taschen Verlag, 508 - 511 illus.
Hammer Projects 1999 – 2009, Hammer Museum, University of California, Los Angeles, 206-211 illus.
Knight, Christopher. “An Invitation to Marvel”, Los Angeles Times, (October 9), D16 and D17, illus.
Kunst and Architecture, 2009, Birkhäuser Verlag, AG, 169 illus.
Rus, Mayer. “Beyond Modernism”, Los Angeles Times magazine, (December), 74 – 79 illus.
Pagel, David. “A touch of melancholy”, Los Angeles Times, (June 5), D18
Making Worlds, Exh. cat., 53rd Venice Biennale, 166 – 167 illus.
Ng, David. “Biennial selects a dozen localities”, Los Angeles Times, (December 12), D2
Milia, Maria. “I chioccolatori alla Biennale d’arte”, MessaggeroVeneto, (June 7), X
“Environments”, I.D., (July/August), 75 illus.
Burns, Charlotte. “Pae White Creates a City of Dreams”, The Art Newspaper, (December 2), 4 illus.
Ferguson, Russell. “I Had Never Seen Anything Like It”, Larry Johnson, Hammer Museum, Los Angeles, 69 illus.
The Judith Rothschild Foundation, Contemporary Drawing Collection, Catalogue Raisonné, Museum of Modern Art, 281 illus.
“Art Basel Gets Creative” New York Times, Weekend Arts, C28
Strauss, Bryson. “A Natural Muse”, Artillery, Vol. 4, Issue 1, (September/October), 58 -59 illus.
il Venezia, cover image, (June 5)
Baker, Kenneth. “Pae White”, San Francisco Chronicle, (October 10), E2 illus.
Buckley, Annie. “Pae White”, www.artforum.com, (May 25)
Reed, Victoria. “The Port is ‘moving in a new direction’”, The San Diego Union Tribune, (November 15), E7
Rosenberg, Karen. “Miami Fair: Big Pieces, Smaller Prices And Relief”, New York Times, (December 5), C1, C5
Installations Inside/Outside, Exh. cat., Armory Center for the Arts, Pasadena, California
Lorent, Claude. “Le dedans; Daniel Buren rend le vide present, Pae White dilue un arbre millenaire.”, La Libre Belgique, (Janvier 5), Arts 4-5 illus.
Vuegen, Christine. “Kunst kust het leven”,
Pae White - Lisa Bright and Dark, Exh. cat., Scottsdale Museum of Contemporary Art, Scottsdale
Charpentier, Corinne (ed). Centre D’Art Contemporain La Synagogue de Delme, les presses du réel, 142 – 151 illus.
Herbert, Martin. “Smoke”, Art Monthly, (November), 321 – 322 illus.
Stoker, Neil. “Unconventional Classification”, Culture Wars, www.culturewars.org.uk, (November 28)
Sherwin, Skye. “Pae White”, 10, (Winter) 102 – 103 illus.
Grabner, Michelle. “Makers and Modelers: Works in Ceramic”, X-TRA, Volume 10, Number 3 (Spring), 54 – 55 illus.
Morgan, Susan. “Polka Dot Geometry”, Modern Painters, (November), 30 – 31 illus.
“Loggetto Del Mese”, Grazia Casa, (October), 19 illus.
“Abitare con L’Arte”, Elle Décor Italia, (Settembre Anno 19) N. 9, 254 – 256 illus.
Noé, Paola. “Pae White at Galleria Francesca Kaufmann”, Artforum, (September), 479 illus.
“Under the Influence Pae White”, ArtReview, Issue 25, (September), 40
Vaillant, Alexis (ed). Legende, Exh. cat., Domaine Departemental de Chamarande, Sternberg Press, 207 illus.
GSA Art in Architecture Selected Artworks 1997 – 2008, 93 illus.
Coomer, Martin. “Pae White”, Modern Painters, (March), 85 illus.
Folkestone Triennial, Exh. cat., Cultureshock Media Ltd., The Creative Foundation, Folkestone, Kent, 108 – 111 illus.
“Art From Anything”, Jerry Stein, The Cincinnati Post Sculpture Projects Muenster, Edited by Brigitte Franzen, Kasper König and Carina Plath, Published by Verlag der Buchhandlung Walter König, Cologne Germany, pp. 287 – 293, illus.
Idylle, Traum und Trugschluss (Illusion and Delusion), Edited by Oliver Zybok, Published by Hatje Cantz Germany, pp. 241 – 243. Illus.
“Pae White” Friederike, Wulf. ArtInvestor, Nr. O3/2007, pp. 58 -61, illus.
“Collector’s Choice: Collection 2”, Published by Daelim Contemporary Art Museum, South Korea, illus. p. 59
“Directions: Virgil Marti and Pae White”, exhibition booklet, Hirshhorn Museum and Sculpture Garden
“Step Into My Parlor”, Glenn Dixon, The Washington Post Express Paper, March 8, 2007
“Darling, take Fountain”, exhibition catalogue. Kalfayan Galleries, Athens, Greece. Curated by Konstantin Kakanias. Illus. 84 – 85
“DLD Book for Friends”, Published by NIGHTFROG and Hubert Burda Marketing & Communications Gmbhp.177
Running around the Pool, Contemporary Drawings, exhibition catalogue, Museum of Fine Arts, Florida State University, Illus. 20, 28
Half Square, Half Crazy, exhibition catalogue, published by Villa Arson, Nice, France. Illus. pp. 88, 89, 92, 93 and 96 “Under the Carpet”, Anna Sansom, DAM No. 14, December 2007 – January 2008, pp. 64 – 69. Illus. 68 - 69
“Il diavolo del focolare”, (ex. cat.), Triennale di Milano, Milan, Italy. Texts by Luigi Settembrini, Claudia Gian Ferrari, Consuelo Císcar Casabán, Paolo Mereghetti and Francesca Sorace. Electra Publishers pp.103-106 and 178 –181, illus.
An old way of playing with light, new results, Alan G. Artner, Chicago Tribune, May 19, 2006 p. 27
HyperDesign, catalogue to accompany exhibition. Published by the Shanghai Fine Art Publishers, Shanghai, China. Editors: Fang Zengxian and Xu Jiang Illus. pgs 160 - 163
Browne, Alix. Perchance to Dream, New York Times Style Magazine, Design Fall 2006, p. 54, illus.
Eva Hesse: Sculpture, The Jewish Museum and Yale University Press, p. 46, p. 47, illus.
Pae White, Terry Myers, Time Out Chicago, May 25 – June 1, 2006, p. 70 illus.
Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles texts by Howard Fox, p. 48 illus.
No. 1, First Works by 362 Artists, Francesca Richer and Matthew Rosenzweig, Thames and Hudson, p. 40 illus.
Durrant, Nancy. Creative vision with strings attached, The Times, June 24 – 30, 2006, p. 36 – 37 illus.
Hainley, Bruce. Ongeleide activiteit Los Angeles, Deel 2 Vluchtige notities 1985 – 2006, Metropolis M, No. 3 2006 June/July pp. 75 – 79 and 106 – 107, p. 78 and 106 illus.
Karr, M.J., “Accommodate”, exhibition catalogue, St. Paul St, School of Art and Design, AUT University, Aukland, New Zealand, Curated pps 1 and 4, illus.
Hainley, Bruce. “Artquake”, The New York Times Magazine, October 1st, 2006, pp 78 – 85
Clifford, Andre. “Highly mobile whirl of form and colour”, The New Zealand Herald, October 4, 2006. Pp
Frieze Projects, Polly Staple editor, published by Frieze magazine, London UK, illus 72 – 73
Inner Cities, ArtReview, March 2005, pg. 60, illus.
Brian Wilson, An Art Book, Published by Four Corners Press, London, UK illus. 128, 135
Clare, Jessica. Sweeney slips to side, Highlander, Tuesday, January 11, 2005 pg 16
Gaasch, Cynnie. Juicy Cool, Artvoice, July 21-27, 2005 pg18
Coles, Alex. Functioning Decoration, contemporary, issue 75, pg 22 - 25
Extreme Abstraction, Published by The Albright Knox Art Gallery, Buffalo, NY
Finch, Charlie. Buffalo Soldier, www.artnet.com, Tuesday, August 9, 2005
Vogue Italia, January 2004, A Pure and Simple Fashion Story pg. 154 - 161, illus. pg.160
The magnificent seven, Artreview, October 2004, pg. 35
Frieze Art Fair, Art & Auction, October 2004, pg.82
Von Haase, Bettina. Londra lancia la sfida del contemporaneo, Panorama, Oct. 7, 2004
Corbetta, Caroline, Art in Fair, L’Uomo Vogue, October 4th
Rainbow Rovers gather for art fair, Birmingham Post, October 18th
Searle, Adrian. Her Dark Materials, The Guardian, October 19th, pg. 12 – 13
The Art of Rover, Autocar Magazine, October 26th
Frieze already an established British tradition, The Art Newspaper, October 2004
Camhi, Leslie. People are Talking About Art, Vogue, November 2004
Pécoil, Vincent. Pae White, Flash Art, October 2004, pg. 130, illus.
Nelson, Arty. The Many Colors of Pae White LA Weekly, pg. 46, illus.
Cheng, Scarlet. String music, improvised, Los Angeles Times, Thursday, Feb. 26, 2004 pg. E16-17 illus
Tumlir, Jan. Pae White UCLA Hammer Museum, Artforum, Summer 2004, pg. 255
Pecoil, Vincent. Amps and Ohms, Ohms and Amps, Zéro Deux No. 37, automne 2004, pgs. 24 – 25, illus.
Lavrador, Judicaël. Modes & Travaux, les Inrockuptibles, June 13, 2004, issue 449, pgs. 60 - 61, illus.
Pagel, David. Filaments hold the firmament, Los Angeles Times, Friday, Feb. 13, 2004 pg. E22 illus.
A Secret History of Clay exhibition catalogue, Tate Liverpool, illus. Pg 89
Charlesworth, JJ. Deep Surfaces: The Hallows of Glamour, Annual Herbert Read Gallery, Kent Institute of Art and Design, illus. 71, 72, 73, 95-101
Allen, Jane Ingram. “Beacon New York, A Sculpture Destination”, Sculpture, July/August 2204, pgs. 41 - 45
Ramade, Bénédicte. Pae White, la versatilité comme vertu, L’OEIL, Septembre 2004, pgs. 22 - 23 illus.
Von Schlegell, Mark. String Theories, art on paper, March/April 2004, pgs. 58 -59 illus.
Behn, Andrea. Pae White, Gingeråle, pgs. 44-45, illus.
LaFuente, Pablo. If I could change…, ArtReview, 82 - 83. illus.
Riding Metro Now an Artistic Experience, Tolucan Times & Canyon Crier, April 7, 2004
Corbetta, Carolina. Glitter, Vogue Italia, January, 2003, pg. 63 illus.
Tumlir, Jan, Spinning One’s Wheels in L.A., Flash Art, 102 - 105, illus.
Pae White Hotlist, Artforum, Feb. 2003, pg. 38
Sculpture Forever. Flash Art, July/September 2003, 107 illus.
Morozzi, Cristina. Borderline Branches The Plan 138 - 139 illus.
Princenthal, Nancy. A 10-Part Hello Along the Hudson, The New York Times, Arts and Leisure Section, 20
Eggel, Caroline and Christiane Rekade, Malewitsch Neue Review, Mai 2003, pp. 10 - 11
Casciani, Stephano, In assenza di gravità, Domus (fashion supplemento), April 2003, 74 illus.
Casadio, Mariuccia. Set Design, Vogue Italia, March 2003, 602 (illus.)
Scott, Andrea, “It’s not just men on horses anymore”, Time Out, New York, May 29-June 5, 2003, pg. 69
Boettger, Suzaan. “Report from Beacon”, Art in America, June 2003, pg. 39
Kastner, Jeffrey. “Watershed”, Artforum, October 2003, pg. 175
Pederson, Victoria. “Hudson News”, Art & Auction June 2003
David, Joshua, Happening Valley, Gourmet, April 2003, pg. 60
Romeo, Filippo, Customizing, Case da Abitare, Aprile, 2003, p. 64
Circles (exhibition cat.) Editor, Christoph Keller, pp. 162-163
Laurence, Robin. Of Costumes, Clouds, and Culture, The Georgia Straight, April 25 – May 2, 2002, p.62
Morgan, Lynn. L.A. Louver’s Rogue Wave, California Homes, Winter 2001-2, pp. 110-114
Coomer, Martin. Pae White, London Time Out, Jan. 30 – Feb. 6, 2002, p. 46
Psibilskis, Liutauras, 8th Baltic Trienniel, Flash Art, October 2002, p. 99 illus.
Higgie, Jennifer. Luxe, calme et volupté, Frieze, Issue 66, April 2002, p. 64 – 69
Andersson, Patrik, Pae White, Tema Celeste, September/October, p. 95
Haynes, Rob. All that Glitters on Show, Metro, July 2002
Hunt, Ian. Shimmering Substance, Art Monthly, June, 2002, p. 39 - 42
Clark, Robert. Time to untangle theoretical threads, ArtReview, June, 2002
Gledhill, David, substance and style, City Life, July 31 - Aug. 8, 2002
Smith, Juliet, Visiting artist considers changing urban landscape, The Daily News, Monday, August 5, 2002, p. 4
Extra Art: A Survey of Artist’s Ephemera, 1960-1999 exhibition catalogue, published by Smart Art Press, exhibition at the California College of Arts and Crafts, San Francisco, CA, Curated by Stephen Leiber, p. 186, illus.
Pagel, David. “New Works” Show Reopens the Pasadena Armory, Los Angeles Times, Friday, April 19, 2002 pg. F24 illus.
Coles, Alex. Art Décor, Art Monthly, Issue 253, Feb. 2002, pp. 7 - 10
Sherman, Sam, Strolling Through an Ancient Shrine and Garden, Contemporary, July/August 2002, p. 153
Ebner, Jörn. Aur Liebeskummer der Rollschuh-Unfall, Frankfurter Allgemeine Zeitung,Feb. 9, 2002, S. 58
Myers, Terry R., The American: New Art, artext, Spring 2002, pg. 81-82
Just Call it Art on the Hudson, The New York Times, December 13, 2002, E39
Wakefield, Neville, l.a. story, Travel and Leisure, Feb. 2002, pg. 128
Farquason, Alex. The American: New Art, Artforum, March 2002, p. 136, illu.
McLaughlin, Amy, Artwork takes shape at Library, Chicago Daily Herald, March 5, 2002
Knight, Christopher. The Everyday on a Pedestal, The Los Angeles Times, Wednesday, January 31, 2001 pg.F1 and F8
Berg, Ronald, “Form follows form”, Der Tagesspiegel, February 10, 2001
Corrigan, Susan, “New York Sucks”, ID, September 24, 2001, pp. 183-191
Herbert, Martin, “State of the Arts”, Art Review (London), Autumn, 2001, pp. 50-51
“The Americans, New Art”, published by Booth-Clibbons Editions, pp. 77 – 83, illus.
illus. Art Issues, September/October 2001, pp. 35 - 39
Cutter, Kimberly, “East Side Story”, W, September, 2001, pp. 204-208
Sharp, Amanda, “The Americans”, Arena Homme +, Autumn, 2001
Unruh, Rainer; Junge Kunst aus Kalifornien; Kunstforum International; April-Mai 2001; Bd. 154, S.384-38
“Pae White”, Women Artists, Taschen Publishers
Stange, Raimar; Über Pae White; Artist Kunstmagazin; 2/2001, S.4-7
Végh, Christina; Pae White: Die (unerträgliche) Leichtigkeit des Seins; Catalogue. Zero Gravity; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; 21.4.- 17.6. 2001
Imdahl, Georg; Raus aus der klaustrophobischen Bodenstation; Frankfurter Allgemeine Zeitung; 5. Mai 2001, Nr.104, S.44
Sozanski, Edward J., “Along the fuzzy boundary between design and art”, The Philadelphia Inquirer, Sunday, February 13, 2000, A-11
Cienfuegos, Ingeborg. “Konst på gränsen”, Aftonbladet, May 5, 2000
Gerell, Boel. “Behovet av en förlaga”, Kvällsposten, July 23, 2000
Olsson, Thomas. “Moderna Museet tänker om”, Ystads Allehanda, May 5, 2000 Vickström, Lars. “Utställning med alltför få tankar”, Arbetet Ny Tid, May 21, 2000
Scanlan, Joe., “What’s the Use”, Eyestorm, http:www.eyestorm.com /feature/ED2n_article.asp?article_id=122 Myers, Terry R., “Pae White”, Art & Text, May
McFarland, Dale. “Pae White, geengrassi, London”, Frieze, March, 1999
Pagel, David. Los Angeles Times, Friday, December 17, 1999 pg F34
Freeman, David. “Pae White and Victor Estrada at Finesilver”, VOA, July 99, pp.14 –16
Krygier, Irit. “Report from L.A.”,http://www.artnet.com/magazine/reviews/krygier6-3-99.html#11
Intra, Intra, Giovanni. “La struttura mobile”, Tema Celeste, February, 1999, pp.50 - 55
Frank, Peter. “Color Fields”, L.A. Weekly, January 8 - 14, 1999
Brinsfield, James. “Signing and Signifying Abstract Art Returns” Kansas City Review, June, 1999 pg. 18
Thorson, Alice. “Show will please, but not with ease”, May 16, 1999, J-1 (illus.)
Holland, Cotter, “Soho is still very much Soho”, The New York Times, Friday, February 12
Johnson, Patricia. “Abstract artists redraw boundaries of painting”, Houston Chronicle, Oct. 7,1998
Dawson, Angela. "Into the Streets". Adweek, vol. XLVIII No. 8, February 23, 1998
Wilson, William. “Food Preserved With a Twist”, Los Angeles Times, Tuesday, Oct. 20, 1998 F5
Johnson, Ken. “Biomorphic Abstraction”, New York Times, Friday, December 11
Curtis, Cathy. “Dressing the Flesh”. The Los Angeles Times, May 12, 1998, F2
Marlos, Daniel. “What’s That Bug?”, American Homebodies, July 1998
Wilson, William. “Lilliput’: Small Art in the Big City of L.A.” Los Angeles Times, Tues., Nov. 24,
Schoenkopf, Rebecca. “I Loathe LA”, Orange County Weekly, December 18 - 24, p. 36
Lunenfeld, Peter, “The Alchemical Portrait”, Telepolis
Scanlan, Joe. "Pae White", Frieze, November-December 1997, pp. 89-90.
Lunenfeld, Peter. “Jennifer Steinkamp, Light in Space” Art/Text 58, p. 62
Hill, Shawn. "The pursuit of absence", Bay Windows, August 28, 1997, p.30
Temin, Christine. "Christoph Grunenberg is bringing the world to the ICA". The Boston Sunday Globe, July 13, 1997
Zimmer, William. "A Gallery Sampler at the Aldrich", The New York Times, December 14.
Brennan, Michael. "Pae White at I-20" Art-net, http://www.artnet.com
"Oblique Strategies", EYE, Vol. 6, Spring 1997, p. 34 - 35
“Papier in den Reißwolf, Draht ums Blatt", Art, November 1997, p.22 (illus..)
"Not Your Average Christmas Cards", I.D., March/April 1997, p.33
Huffstutter, P.J. "Digital Fine Art", Dailey News, Jan. 20, 1997, p. B-1
Duehr, Gary. "Beam up to the ICA's Enterprise" The TAB, July 29-Aug. 4, 1997, p. 2B
Silver, Joanne. "Work in process". Boston Herald, July 25, 1997, p. S11 and S13.
Millis, Christopher. "All too clear". Phoenix Aug. 4, 1997
Termin, Christine. "Enterprise invites viwers to pitch in", Boston Globe, D1 and D8
Smith, Roberta. "Testing Limits at the Corcoran", New York Times, January 6, 1996
Princenthal, Nancy. "The Ghost's Machine" (cat.) illus. 1996
Joyce, Julie. "Fertile Ground, Neutral Territory" (cat.) illus. 1996
O'Brien, John. "Haus Write" (cat.) illus., 1996
Clothier, Peter, “Pure Beauty”, ARTnews, February 1995, p.132
Pagel, David, "Pae White", Art Issues, Nov/Dec 1995, p.44
Kandel, Susan, Los Angeles Times, Thursday, September 28, p. 10
O'Brien, John "New Alternatives", Art Papers, vol.19, Nov/Dec 1995, p. 29
Auerbach, Lisa Anne. "Table Games", Los Angeles Reader, March 31, 1995. vol 17. No. 25, p.13
Clearwater, Bonnie., “The Art of Seduction” (cat.) 1994
illus. DOMUS,”Projetti Projects, Frank O. Gehry”, N. 764, p. 38
Pagel, David., “Urban Divisions, the Green Show”, Los Angeles Times, August 4,1994, p.F5
Pagel, David. “Looking Into Seeing”, Plane Structures (catalogue essay)
Scanlan, Joe., “Motivation and Time in the Work of Certain Los Angeles Artists”, PlaneStructures, (catalogue essay)
Wilson, William., “‘Pure Beauty’: Irony Becomes Stale Second Time Around”, Los Angeles Times, Sept. 28, 1994
Breerette, Geneviéve, “Tout nouveau, tout beau”, Le Monde, June 8, 1994
Barden, Lane., “In the Eye of the Beholder”, Artweek, Nov. 17, 1994, p.10.
Tumlir, Jan., “A conversation with Pae White”. Artweek, Nov. 17, 1994, p. 11
Turner, Alisa., “The Art of Seduction”, ARTnews, Summer 1994
Muchnic, Suzanne. “Bliss, Food House, and Hello Artichoke”, Artnews, May 1994 (illus.)
van den Boogerd, Dominic and David Lillington, “It’s real, but very fucked up,” Metropolis, March, 1994
Turner, Elisa., “Seducing Viewers With Questions of Art” The Miami Herald, January 30, 1994, p.101
Kraft, Scott. “But Will the French Thank Us?” Los Angeles Times, June 5, 1994. p.6
Koshalek, Richard. “American Center in Paris”, art press. June 1994, p.20
Colas, Sandrine. “pure beauty”, Galeries, France, June, 1994, p. 4
Kandel, Susan., “Pae White”, Art issues, September/October 1993, p. 43
Lillington, David., “TIMES”, Metropolis, no.4, 1993, pp.47-49.
Barrie, Lita., “A Forest of Toys”, Visions, Winter 1993, pp. 23-24
Meyers, Terry R., “Girlfriend in a Coma: Notes on a Proposed Exhibition",Blocnotes, no. 2, Spring 1993, pp.12-13
Interview with David Pagel, Bomb, Summer 1993, pp.12-13
Anderson, Michael. “Sugar n’ Spice”, Art Issues, May/June 1993, p. 39
Curtis, Cathy. “Nice n’ Subversive”, Los Angeles Times, Orange County Edition.Thurs.,3/18/93, p. 4
Gamblin, Noriko. “Sugar n’ Spice” exhibition catalogue published by Long Beach Museum, Long Beach, CA
“LBMA Opens Sugar n’ Spice by a Dozen Women Artists”, Seal Beach
Leisure World Golden Rain News, February 18, 1993
King, Debra. “Women’s Perspective in Art”, Westart, March 28, 1993, p. 3
Pagel, David. “The Strange House That Pae White Built”, The Los Angeles Times, Friday, Feb. 19, 1993. p. 20
Frank, Peter. “Intriquing works by a new generation of women artists...” Long Beach Press Telegram, March 12, 1993, p.14
Relyea, Lane. “Politically Correct/Incorrect”, Artspace, July/August, 1992, pp.28-30
Tager, Alisa. (essay) Detour (catalogue) 1992
Kandel, Susan. “L.A. in Review”, Arts, November, p. 97
Pagel, David. “Window on L.A.” catalogue essay
Rugoff, Ralph. “Missing Persons”, L.A. Weekly, August 2, 1991, p. 27
Gilbert-Rolfe, Jeremy. “Slaves of L.A. and Others”, Artspace, Summer, 1991, p. 72
SPECIAL PROJECTS/PUBLIC COMMISSIONS
ArtPix II, Houston, Texas, curated by David Pagel.
Windows on Wilshire, window installation for Los Angeles County Museum of Art, Los Angeles, CA
Advertising campaign for the Museum of Contemporary Art, Los Angeles, CA
Incidental Illumination, design of a children’s reading room, temporary commission by Los Angeles County Museum of Art, Los Angeles, CA
The New Now Sounds of Today! Songpoems by Twenty-one Contemporary Artists Limited Edition CD produced by Art Issues Press
Thoughts on Owls by Men of Letters, Window design for Galerie Daniel Buchholz, Cologne
Capitol East End Complex, Block 174. Sacramento, California with Tom Marble, AIA
Des Plaines Public Library, Des Plaines, Illinois, Patti Gilford, Art Consulting
Palermo Building, Pasadena, CA, Kathy Lucoff, Art Consulting
Ex-Machina Exhibition Design with Jorge Pardo, Museum für Angewandte Kunst, Cologne, Germany
artist’s spread, Pavement magazine, August/September, 2002, pp. 152-153
Double Vision, collaborative photo project with Mario Testino, V magazine, July/August, 2002,
MultipliCity, Metro Rapid Line with Tom Marble, AIA
Chiacchere Ter et Bantine, Milan, Italy
Feast, Selfridge window display, London, UK curated by Pablo La Fuente
Rover Momentum, artist’s project for the Frieze art fair, involving the special painting of a fleet of 15 Rover courtesy vehicles. London, UK.
Winner of competition for the artist designed stage curtain for the New Opera House, Oslo, Norway
Artist in Residence. The Fabric Workshop and Museum. Philadelphia, PA
MetaFoil, Stage Curtain for New Opera House, Oslo, Norway
Bugscreen, Celebreeze Plaza, GSA Excellence in Art and Architecture Program Cleveland, Ohio
DLD07, Munich Germany Artist Project
Fabric Workshop and Museum, Philadelphia
Honorable Mention in the Skin of Corian competition, sponsored by DuPont
Kultur Spiegel, Artist Page, pp. 24 – 25
Wind Thing, W Hotel, Los Angeles, California
Restless Rainbow, The Art Institue of Chicago, Chicago, Illinois
Woven Walk, LAX, New Bradley Terminal, Los Angeles, CA
Intervention with the 1900 – 1930 Collection at the MAK, Vienna
Frieze, NY Sculpture Park, curated by Tom Eccles
North Embarcadero Visionary Plan, San Diego, California
Gloucester Road Tube Station, London, UK
THE Magic Carpet Ride, Berlin Brandenburg Airport, Berlin, Germany
Jorge Pardo, Catalogue. Person's Weekend Museum, Tokyo, 1993
Das Ende der Avant Garde, Kunst als Dienstleistung, Catalogue. Kunsthalle der Hypo-Kulturstiftung, München, 1995
Jorge Pardo, Catalogue. Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, Chicago, 1997
[re] - meditation: The Digital in Contemporary American Printmaking, Catalogue. 22nd International Biennial of Graphic Arts, Ljubljana,1999
Tobias Rehberger, Jorge Pardo, Garnish and Landscape, Catalogue. Gesellschaft für Gegenwartskunst, Augsburg 1997
Enterprise, venture and process in comtemporary art, Catalogue. The Institute of Contemporary Art, Boston 1997
The 18th Annual Benefit Auction of Los Angeles Contemporary Exhibitions, Catalogue. Los Angeles 1998
Global Fun, Kunst und Design von Mondrian, Gehry, Versace und Friends, Catalogue. Städtisches Museum Leverkusen, Schloss Morsbroich, Leverkusen,
Schloß Moritzburg, Dresden, Ostfildern 1999 (Gestaltung in Zusammenarbeit mit Jorge Pardo und Winfried Konnertz)
Jorge Pardo, Catalogue, The Fabric Workshop and Museum, Philadelphia 1999
WPEP, Pae White & Victor Estrada, Catalogue.. Finesilver Gallery, San Antonio, Texas 1999
Jorge Pardo, hrsg. Von Jörn Schafaff und Barbara Steiner im Auftrag der Landesbank Baden-Württemberg, Ostfildern 2000
Against Design, Cat. Institute of Contemporary Art, Philadelphia, PA 2000. Curated by Steven Beyers
What if, Catalogue (and other design collateral). Moderna Museet Stockholm, Stockholm 2000
Jorge Pardo, Catalogue.. Kunsthalle Basel, Basel 2000 (in Zusammenarbeit mit Jorge Pardo, Veronica Gonzales, Kunsthalle Basel)
8th and Figueroa, Catalogue. for 2001 USC Graduate students, Los Angeles, CA 2001
Ex-Machina, Catalogue.. Museum für Angewandte Kunst, Cologne, 2002 with Jorge Pardo
The Object Sculpture, The Henry Moore Institute, Leeds, United Kingdom, 2002
Pae White, Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2003
Extreme Abstraction, Catalogue (and other design collateral), Albright Knox Art Gallery, Buffalo, NY 2005
Forumememo, Artist’s portfolio supporting the Los Angeles Forum for Architecture, edition of 25, 2004 curated by Tom Marble
Jahresgaben, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
Ponygirl Edition 1998, Muse-X Editions, Los Angeles, CA, edition of 6
Oblique Strategies, A More Universal Edition, Norton Family Christmas Project, Untitled Silkscreen Portfolio, Brain Multiples, Los Angeles, CA, 2000 edition of 20Katherine Bernhardt, Sarah Braman, Bjorn Copeland, Billy Childish, Julia Dault, Kim Fisher, Morgan Fisher, Karin Gulbran, Mark Hagen, Thomas Helbig, Sean Landers, JP Munro, Seb Patane, Jon Pylypchuk, David Von Schlegell, Eric Wesley, Pae White, Thomas Zipp - Sweet Sixteen
May 2 to May 30, 2015 Paul Cherwick, Eric Wesley, Pae White, TJ Wilcox - Pet Shapes
Nov 9 to Dec 14, 2013 Eric Wesley, Pae White, Thomas Zipp - Post - Post - Anxiety
Jun 8 to Aug 3, 2013 Sarah Braman, Sam Falls, Mark Hagen, JP Munro, Pae White - NADA
Dec 6 to Nov 9, 2012 Sarah Braman, Julia Dault, Sam Falls, Kim Fisher, Mark Hagen, JP Munro, Seb Patane, Jon Pylypchuk, Pae White - Frieze Art Fair and Frieze Sculpture Park
Oct 9 to Oct 14, 2012 Eric Wesley, Pae White - The Light of the Virgo: Kim Fisher, Piero Golia, Eric Wesley and Pae White.
Sep 6 to Oct 11, 2008
- Private Area