- On View Now
Born 1962, Palmer, MA. Lives and works in New York, NY
MFA, Yale University School of Art, New Haven, CT
BFA, Philadelphia College of Art, PA
China Art Objects, Los Angeles, CA, February 21–April 11
Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13–December 20 (catalogue)
Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue)
Sorry We’re Closed, Brussels, Belgium, November 8–December 21, Longmore greengrassi, London, UK, April 26–June 16
greengrassi, London, UK
All Around the World Alone, Friedrich Petzel Gallery, New York, NY
A Midnight Modern Conversation, Marianne Boesky Gallery 64th Street, New York, NY 2009
Greengrassi, London, UK2008
Set of Twelve, Friedrich Petzel Gallery, New York, NY 2007
China Art Objects, Los Angeles, CA
Andrea Rosen Gallery, New York, NY
Taka Ishii Gallery, Tokyo, Japan
greengrassi, London, England
Galerie Giti Nourbakhsch, Berlin, Germany
China Art Objects Galleries & Sister, Los Angeles, CA
Kunsthalle Zurich, Switzerland
Andrea Rosen Gallery, New York, NY
greengrassi, London, England
Taka Ishii Gallery, Tokyo, Japan
Rebecca Camhi Gallery, Athens, Greece
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY
greengrassi, London, England
Taka Ishii Gallery, Tokyo, Japan
Contemporary Fine Arts, Berlin, Germany
Andrea Rosen Gallery, New York
Gallery Presenca, Porto, Portugal
Taka Ishii Gallery, Tokyo, Japan
Crown Gallery, Brussels, Belgium
Andrea Rosen Gallery, New York
Studio Guenzani, Milan, Italy
Contemporary Fine Arts, Berlin, Germany
Rebecca Camhi Gallery, Athens, Greece
Regen Projects, Los Angeles, CA
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY
Galerie Birgit Kung, Zurich, Switzerland
Bruno Brunnet, Berlin, Germany
Jay Jopling/White Cube, London, England
Stuart Regen Project, Los Angeles, CA
Andrea Rosen Gallery, New York, NY, October 22 - November 27
Galerie Esther Schipper, Cologne, Germany, April – May
Galerie Jennifer Flay, Paris, France, April – May
Andrea Rosen Gallery, New York, NY, February – March
Robbin Lockett Gallery, Chicago, IL, October – November
Marc Jancou Galerie, Zurich, Switzerland, March
Postmasters Gallery, New York, NY, November – December
Postmasters Gallery, New York, NY, January
Tom Solomon's Garage, Los Angeles, CA
Deichtorhallen Hamburg, Hamburg, Germany, Picasso in Contemporary Art, April 3–July 12, curated by Michael FitzGerald (catalogue)
1857, Oslo, Norway, An Account of Discovery and Wonder; Detailing Intrepid Exploration, Inevitable Peril and Infallible Resolve, As Evidenced by Relics, Replicas, Artifacts, Counterfeits, Samples, Souvenirs, Ephemera, Scraps and Residue, February 13–March 15
Gavin Brown’s Enterprise, New York, NY, Call and Response, January 24–February 28
Matsumoto City Museum of Art, Matsumoto, Japan, Tagu?Ten, July 19–September 28
Eric Firestone Gallery, East Hampton, NY, Positivilly Marvillainous, July 5–27
Wasserman Projects, Birmingham, MI, Help Is on the Way, April 12–May 31, organized by Sean Landers
Edelman Arts, New York, NY, Aftershock: The Impact of Radical Art, March 3–May 12, curated by Dara Schaefer
The Hole, New York, NY, Skit, February 7–March 1, curated by Tisch Abelow
The Drawing Center, New York, Drawing Time, Reading Time, November 15–January 12, 2014,curated by Claire Gilman (catalogue)
Nottingham Contemporary, Nottingham, UK, Aquatopia: The Imaginary of the Ocean Deep, July 20–September 22, 2013, curated by Alex Farquarson. Travels to: Tate St. Ives, St. Ives, UK, October 12–January 26, 2014 (catalogue)
The Hole, New York, NY, Summer Reading, July 18–August 24 Messe Basel, Basel, Switzerland, Unlimited, June 13–June 16, curated by Gianni Jetzer (catalogue)
The Future Moyhihan Station, New York, NY, DSM-V, May 7 – June 4, curated by David Rimanelli
The High Line, New York, NY, Busted, April 18–April 24, 2014, curated by Cecilia Alemani
New Museum, New York, NY, NYC 1993: Experimental Jet Set, Trash and No Star, February 13–May 26, curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore and Margot Norton (catalogue) Vladimir Restoin Roitfeld, Merci Mercy, January 24–February 17, co-curated by Christine Messineo and Vladimir Restoin Roitfeld
20122011Let It End Like This, Apexart, New York, NY
Patricia Low Contemporary, St. Moritz, Switzerland, The Man Who Would Be King, December 27–February 2, 2013, curated by Max Henry
La Pinacoteca Giovanni e Marella Agnelli, Turin, Italy, Freedom not Genius: Works from Damien Hirst’s Murderme Collection, November 10–March 10, 2013, curated by Elena Geuna (catalogue)
Friedrich Petzel Gallery, New York, NY, The Feverish Library, September 6–October 20, organized in cooperation with Matthew Higgs
Anton Kern Gallery, New York, NY, It’s Always Summer on the Inside, July 10–August 24, organized by Dan McCarthy (catalogue)
Kunsthalle Zürich, Zürich, Switzerland, Looking Back for the Future, June 9–17
Studio Guenzani, Milan, Italy, Pittura (1995–2009), April 11–May 31, 2012
Marc Jancou Contemporary, New York, NY, Spelling the Image, January 26–March 3
Boo-Hooray Gallery, New York, NY, Artists’ Book Not Artists’ Book, January 18–February 12, curated by Johan Kugelberg and Jeremy Sanders (catalogue)
Seventeen Gallery, London, UK, A Plea for Tenderness, Januay 12–February 25, curated by David Raymond Conroy
2010The Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles, CARE-DRESSING, Bortolami Gallery, New York, NYShe Awoke With A Jerk, Andrea Rosen Gallery, New York, NYAn Act of Mischievous Misleading (AAOMM), International Studio and Curatorial Program, Brooklyn, NY
2009 Translucent Threads, NY Arts Beijing, Beijing40th Anniversary Benefit Auction, White Columns, New York, NYTalk Dirty to Me, Larissa Goldston Gallery, New York, NYFloors/Walls, Galerie Giti Nourbakhsch, Berlin2008 Emerson vs. Nietzsche, Cottage Home, Los Angeles, CA2007 The Sorcerer's Apprentice, Late Picasso & Contemporary Painters, Galleri Faurschou, Copenhagen, Denmark, Curated by Max Henry
Defamation of Character, P.S.1 Contemporary Art Center, Long Island City, NY, curated by Neville Wakefield
From Damien Hirst's Murderme Collection: In the Darkest Hour There Will Be Light, Serpentine Gallery, London, England (catalogue)
Happiness, Berlin Bienniale, Berlin, Germany. curated by Martin Germann for 'Gagosian Gallery Berlin'
Survivor, Bortolami-Dayan Gallery, New York, NY, curated by David Rimanelli (catalogue) Test-Formed Drawing, Contemporary Art Galleries, University of Connecticut
And Therefore I Am, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Walead Beshty, Sean Landers, Eriea Maneros, JP Munro & Andy Ouchi, and Michael Wetzel, China Art Objects Galleries, Los Angeles, CA
ON STAGE: Jamie Isenstein, Sean Landers, Charlemagne Palestine, Sue Tompkins, Galerie Giti Nourbakhsch, Berlin, Germany
Playtime, Henry Art Gallery, University of Washington, Seattle, WA
Take It FURTHER” (Part II), Curated by Gyonata Bonvicini, Andrew Mummery Gallery, London, England
Guardare, Pensare, Raccontare, Conservare, Casa del Mantegna, Mantova, Italy
Land of the Free, Jack Hanley Gallery, San Francisco, CA |
Jason Meadows, sister, Los Angeles, CA
I Am the Walrus, Cheim & Read, New York, NY. (brochure)
Tenth Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan
Nature Study, Todd Madigan Gallery, California State University, Bakersfield, CA
Today’s Man, John Connelly Presents, New York, NY
Rendered, Sara Meltzer Gallery, New York, NY
Drop Out, China Art Objects Galleries, Los Angeles, CA
Influence, Identity and Gratitude (Toward an understanding if trans-generational dialogue as a gift economy), curated by Bill Arning, MIT Visual Arts Center, Boston, MA
Thatcher, curated by Tara Howard, Blue Gallery, London, England
Face/Off: A Portrait of the Artist, curated by Simon Groom, Kettle’s Yard, University of Cambridge, Cambridge, UK, traveling to Towner Art Gallery and Local Museum, Eastbourne, UK (catalogue)
Gallery Artists, Taka Ishii Gallery, Tokyo, Japan
Comic Release: Negotiating Identity for a New Generation, Regina Gouger Miller Gallery,
Carnegie Mellon University, Pittsburgh, PA, January 2003- traveling through 2004 (catalogue)
Center for Curatorial Studies Tenth Anniversary, Center for Curatorial Studies, Bard College, Annendale-on-Hudson, NY
To Whom It May Concern, Logan Galleries, CCAC San Francisco Campus, San Francisco, CA
Copy, curated by Neville Wakefield, Ruth Horowitz, New York, NY
Heaven Knows I’m Miserable Now, LOW, Los Angeles, CA
Desire Admiration Acquire, Arcadia University Art Gallery, Glenside, PA
tele(visions), Curated by Joshua Decter Kunsthalle Vienna, Vienna, Austria (catalogue)
Soyez réaliste, demandez l’impossible! Galerie Jennifer Flay, Paris, France
Extra Art: A Survey of Artists’ Ephemera, 1960-1999, Logan Galleries, California College of Arts and Crafts, San Francisco, CA
Alumni Choice: An Exhibition of Work on Paper, Yale University Art Gallery, New Haven, CT The Way I See It, Galerie Jennifer Flay, Paris, France
La Coleccion Jumex, Jumex Centro de Distribucion, Mexico City, Mexico
Salon, Delfina Project Space, London, England
Anos Luz, Galeria Leyendecker, Curated by Angel Luis de la Cruz Canary Islands, Spain (catalogue)
Kin, Curated by Caoimhin Mac Giolla Leith, Kerlin Gallery, Dublin, Ireland
00, Barbara Gladstone Gallery, New York, NY (catalogue)
Body Beautiful, Galerie Jennifer Flay, Paris, France
Selections from the Permanent Collection of Modern and Contemporary Art, Denver Art Museum, Denver, CO
Arte Americana, Ultimo Decennio, Curated by Claudio Spadoni, Loggetta Lomnardesca, Ravenna, Italy (catalogue)
Group Exhibition of Gallery Artists, Rebecca Camhi Gallery, Athens, Greece
Examining Pictures: exhibiting paintings, Curated by Francesco Bonami and Judith Nesbitt,
Hammer Museum, Los Angeles, CA, (catalogue) traveling exhibition
A Place Called Lovely, Curated by Sima Familant, GreeneNaftali, New York, NY
Gallery Swap, Contemporary Fine Arts at Sadie Coles HQ, London, England
Self Evident, Vaknin Schwartz, Atlanta, GA
Etcetera, Spacex, Curated by Alex Farquharson, Exeter, England
Examining Pictures: exhibiting paintings, Curated by Francesco Bonami and Judith Nesbitt
Whitechapel Art Gallery, London, England, travels to Museum of Contemporary Art, Chicago, IL. (catalogue)
Colección Jumex, Museo de Arte Carillo Gil, San Angel, Mexico (catalogue)
Positioning, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Hello Mr. Soul, Gallery 400, University of Illinois at Chicago, IL
Encyclopedia 1999, Turner & Runyon Gallery, Dallas, TX
Word Perfect, Gallery 400, University of Illinois at Chicago, IL
Hanging, Curated by Márcia Fortes, Galeria Camargo Vilaça, Sao Paolo, Brazil (catalogue), travels to Paco Imperial, Rio de Janiero, Brazil Museum of Modern Art, Recife, Brazil (catalogue)
Heart, Body, Mind, Soul: American Art in the 1990’s, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
Tanti Video, Arcate Art Fabrica, Torino, Italy
From a Whisper to a Scream, Ten in One Gallery, Chicago, IL
Kunst..Arbeit, Sudwestdeutsche Landesbank Forum, Stuttgart, Germany
a/drift: Scenes from the Penetrable Culture, Bard College Center for Curatorial Studies,
Annandale-on-Hudson, NY, curated by Joshua Decter (catalogue)
Galerie Declercq, Knokke, Belgium,
Against: Thirty Years of Film and Video, Anthony d’Offay Gallery, London, England
So you want to be a rock and roll star: Artists ‘sing’ on screen, Curated by Dominic Molon, Museum of Contemporary Art, Chicago, IL
Let Me Bring You Down, curated by Two Dollar Guitar (Tim Foljahn and Steve Shelley), 148 Gallery, New York, NY
Nach Weimar, Kunstsammlung zu Weimar, Weimar, Germany, (catalogue)
Wunderbar, Kunstverein in Hamburg, Hamburg, Germany
The Factory, Curated by Emily Tsingou Athens Fine Art School, Athens, Greece (catalogue)
Toons, curated by Jacob Fabricius, Galleri Campbells Occasionally, Copenhagen, Denmark
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Kunstsammlung Gera, Germany, travels to Neues Museum Weserburg, Bremen, Germany
Incestuous, curated by Tiong Ang and Carter Kustera, Thread Waxing Space, New York, NY
Sugar Mountain, curated by Paul Ha and Andrea Scott, White Columns, New York, NY
Rotterdam on Line, MK Expositieruimte, Rotterdam, The Netherlands
Young Americans: New American Art in the Saatchi Collection: Part I, Saatchi Gallery, London, England, (catalogue)
I’m Writing in Lacanian Ink curated by Richard Foreman and Josephina Ayerza, Deutsches
Haus, Columbia University, New York, NY
Raw Postmasters, New York, NY
Next of Kin: Looking at the Great Apes, M.I.T. List Visual Arts Center, Cambridge, MA, (catalogue)
Word for Word, Beaver College Art Gallery, Glenside, PA
Scribble, organized by Deborah Wilk, Hyde Park Art Center, Chicago, IL
New Acquisitions: An Exhibition of Artists’ Books and Multiples, Art Metropole, Toronto, Canada
Histoire de l’Infamie, Le Fonds Regional d’Art Contemporain, Auvergne, France
I Confess, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark
International Festival of Films on Art, Organized by Art Faces Art, Knokke, Belgium
KOMIX, Brooke Alexander Editions, New York, NY
Auction Benefit, White Columns, New York, NY
Narcissistic Disturbance, curated by Michael Cohen, Otis College of Art and Design, Los Angeles, CA, (catalogue)
A series of rotating installations, Andrea Rosen Gallery, New York, NY
Recent Acquisitions from the Rivendell Collection, Bard College Center for Curatorial Studies, Anandale-on-Hudson, NY
Noritoshi Hirakawa, Sean Landers, Jan Vos, Jeanne Dunning, Galerie Drantmann, Brussels, Belgium
David’s Friends, curated by Timothy Fichtner and David Zin, Bernard Toale Gallery, Boston, MA
esprit d’amusement, Grazer Kunstverein, Graz, Austria, (catalogue)
Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart (The Century of the Multiple),
Deichtorhallen Hamburg, Hamburg, Germany, (catalogue)
Exposition, Galerie Jennifer Flay, Paris, France
Arte in Video: 22 Inches, curated by Tommaso Corvi Mora, Inter Nos and Galerie Pasquale Leccese, Milan, Italy
Sea Change: Franklin Furnace Benefit, Josh Baer Gallery, New York, NY
Die Orte der Kunst, Sprengel Museum, Hannover, Germany (catalogue)
Auto-Eroticism, Paris School of Design, Paris, France, video screening organized by Nicolas Trembley for A Bao A Qou
Can you believe your eyes? curated by Stichting con Rumore, The Museum of Contemporary Art, The Beyerd in Breda, Holland
Don’t Postpone Joy or Collecting Can Be Fun!, curated by Rudi Molacek and Barbara Steffen,
Neue Galerie, Graz, Austria, travels to Austrian Cultural Inst., New York, NY
Benefit 1994, White Columns, New York, NY
Intercourse, Curated by Pablo Gomez and Daniel Carello, Mustard, Brooklyn, NY
Kunstverein in Hamburg, Germany
Backstage, Kunstmuseum Luzern, Switzerland
Volkmann Collection, Kasper Konig, Koln, Germany
Don't Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY
Passing Through, curated by Ugo Rondinone, Galerie Walcheturm, Zurich, Switzerland
Tavelli Gallery, Aspen, CO
Audience 0.01, Vera Vita Gioia, Naples, Italy, curated by Helena Kontova, travels to Trevi Flash Art Museum of Contemporary Art, Trevi, Italy (catalogue)
Auction Benefit, New Museum of Contemporary Art, New York, NY
Into the Lapse, curated by Brian Butler, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
Phenylovethylamour, curated by Lothar Hempel and Carsten Holler, Galerie Daniel Buchhoz,
Koln, Germany, Unfair booth #26
November, Galerie Esther Schipper, Koln, Germany
influx, Gallery 400 at The University of Illinois at Chicago, Chicago, IL
Backstage, Kunstverein in Hamburg, Hamburg, Germany, (catalogue)
Die Sprache der Kunst (The Language of Art), Kunsthalle Wien, Vienna, Austria, travels to Frankfurter Kunstverein, Frankfurt, Germany, (catalogue)
Summer Group Show, Galerie Esther Schipper, Koln, Germany
Word of Mouth, Friesenwal 120, Koln, Germany, July - August, curated by Ana de Portella,
travels to Dogenhaus Galerie, Leipzig, Germany, Butler and Stefan Dillemuth; Palais Beaux Arts, Brussels, Belgium
TranceseX: A State of Mystical Absorption, curated by Les Ayre, Erika Knerr and Amanda M.
Obering Mondrian Hotel, West Hollywood, CA
Tom Cugliani Gallery, New York, NY
Aperto 1993, in conjunction with the Venice Biennale, Venice, Italy, section curated by Nicholas Bourriaud, Standards (catalogue)
Yale Collects Yale, Yale University Art Gallery, New Haven, CT (catalogue)
Sean Landers, Raymond Pettibon, Richard Prince, Jurgen Becker, Hamburg, Germany
SOHO at Duke IV, Duke University Museum of Art, Durham, NC
Confessional, curated by Andrea Scott Liz Koury Gallery, New York, NY
The Anti-Masculine (Overlapping, but not corresponding to the feminine), Light Gallery, Los Angeles, CA, curated by Bill Arning (essay)
Transgressions In The White Cube: Territorial Mappings, curated by Joshua Decter, Usdan Gallery at Bennington College, Vermont
Under Thirty, Galerie Metropol, Vienna, Austria, curated by Erik Oppenheim (catalogue)
New Deal, Bruno Brunnet, Berlin, Germany
I, Myself and Others, Magasin - Centre National D'Art Contemporain De Grenoble, France, (catalogue)
Third Annual Exhibition of Collector's Choice of American Artists, Vered Gallery, East Hampton, NY
Paradise Europe, Copenhagen, Denmark, billboard project and video installation at Ny
Carlsberg Glyptotek, organized by Bizart and curated by Andrea Rosen Gallery, New York, NY; Daniel Buchholz, Koln; Galerie Maquina Espanola, Madrid; Stalke Out of Space, Copenhagen; and Galleria Paolo Vitolo, Rome (catalogue)
Into the Lapse (Program 1), 1301, Santa Monica, CA, curated by Jean Rasenberger and Brian D. Butler
Stuart Regen Gallery, Los Angeles, CA
Galerie Esther Schipper, Cologne, Germany
Free Lunch, Centre d'Art Contemporain, Martigny, Switzerland, February, organized by Erik Oppenheim
Benefit Exhibition, White Columns, New York, NY
Benefit Exhibition, Name Gallery, Chicago, IL
Ornament: Ho Hum All Ye Faithful, John Post Lee, New York, NY
L'Esprit Biblioteque, La Galerie du Mois, Paris, France
Pleasure, curated by Steven Saltzman, Hallwalls, Buffalo, NY
Letters, Christine Burgin Gallery, New York, NY
Videos and a Film About Some Schmoes Who Are Trying to Conform (yet miss), Robbin
Lockett Gallery, Chicago, IL
Gulliver's Travels, Sophia Ungers Gallery, Cologne, Germany (catalogue)
Words & #'s, Wright State University, University Art Galleries, Dayton, OH (catalogue)
5 Days, Thomas Solomon's Garage, Los Angeles, CA
Name Gallery, Chicago, IL
LYRIC- Uses of Beauty in the 90's, White Columns, New York, NY
New Jersey State Museum, Newark, NJ
Work in Progress? Work?, Andrea Rosen Gallery, New York, NY
Total Metal, Simon Watson Gallery, New York, NY
Drawings, Paula Allen Gallery, New York, NY
Postmasters Gallery, New York, NY
Benefit Exhibition, White Columns, New York, NY,
Benefit Exhibition, The New Museum, New York, NY
Outer Limits, Holly Solomon Gallery, New York, NY
Islip Art Museum, East Islip, Long Island, NY
American Fine Arts Co., New York, NY
small works show, Sculpture Center, New York, NY
Sculpture, White Columns, New York, NY
Art on the Beach, Creative Times, Queens, New York, NY
South Beach III, Organization of Independent Artists, Staten Island, New York, NY
Mutual Respect, Vanguard Gallery, Philadelphia, PA,
Selected articles and reviews
Kardon, Dennis. “Sean Landers at Petzel,” Art in America, February 2015
Smith, Roberta. “Fifteen Group Shows Not to Miss. Art Exhibitions from Chelsea to the Lower East Side,” New York Times, January 30, 2015, C27.
Battaglia, Andy. “Plaid Whale Surfaces at Chelsea Gallery,” The Wall Street Journal, November 13, 2014, A22.
Corcoran, Heather. “Sean Landers: It’s Not Easy Being Green,” Flaunt Magazine, October/November 2014, 36, 112–115.
“First Look | Positively Marvillainous Summer Group Show at Eric Firestone Gallery, the Hamptons,” Supertouch Art, July 15, 2014. http://www.supertouchart.com/2014/07/15/first-look-positively-marvillainous-summer-group-show-at-eric-firestone-gallery-the
hamptons/ (accessed July 16, 2014).
Frank, Priscilla. “Moby Dick Meets Magritte in Sean Landers’ Unusual Animal Kingdom,” Huffington Post, November 19, 2014. http://www.huffingtonpost.com/2014/11/19/sean-landers_n_6160938.html (accessed November 19, 2014).
Freeman, Nate and Alanna Martinez. “Ten Things to Do in New York’s Art World Before November 16,” New York Observer, November 10, 2014. http://observer.com/2014/11/10-things-to-do-in-new-yorks-art-world-before-november-16/ (accessed November 11,
Fujimori, Manami. “Sean Landers: North American Mammals, Petzel Gallery,” Yomitime, November 29, 2014, 4.
Halle, Howard. “Sean Landers, ‘North American Mammals’,” Time Out New York, November 20–26, 2014, 52–53.
Halle, Howard. “Critics’ Picks,” Time Out New York, November 13–19, 2014, 34.
Halle, Howard. “The Top Five New York Art Shows This Week,” TimeOut.com, November 10, 2014. http://www.timeout.com/newyork/art/this-weeks-best-new-art (accessed November 12, 2014)
Herbert, Martin. “Previews,” ArtReview, November 2014, 49–52, 53.
Indrisek, Scott. “Studio Tracks: Sean Landers’s Refreshingly Unironic Playlist.” Blouin Artinfo, November 21, 2014. http://www.blouinartinfo.com/news/story/1062042/studio-tracks-sean-landerss-refreshingly-unironic-playlist (accessed November 21, 2014).
Indrisek, Scott. “Spotlight/Sean Landers–Animal Magnetism–Contemplating Mortality through Absurdity,” Modern Painters, November 2014, 11, 56–59.
Indrisek, Scott. “Sean Landers and the Seriousness of Adorable Animals.” Blouin Artinfo, July 24, 2014. http://www.blouinartinfo.com/news/story/1048190/sean-landers-and-the-seriousness-of-adorable-animals (accessed July 25, 2014).
Rosenbgerg, Karen. “Sean Landers: ‘North American Mammals.’” New York Times, December 19, 2014, C29.
SAL. “Showing: ‘Positivilly Marvillainous’ @ Eric Firestone Gallery,” Arrested Motion, July 9, 2014. http://arrestedmotion.com/2014/07/showing-positivilly-marvillainous-eric-firestone-gallery/ (accessed July 10. 2014).
Saltz, Jerry. “Three-sentence reviews: Condo, Perich, and more,” NYMag.com, November 26, 2014. http://www.vulture.com/2014/11/3-sentence-reviews-condo-perich-and-more.html (accessed November 26, 2014)
“Sean Landers at Petzel,” Art in America, November 20, 2014, http://www.artinamericamagazine.com/exhibitions/sean-landers/ (accessed November 21, 2014).
Sutton, Benjamin. “Humourous Artworks Ease Fairtigue at the 2014 Armory Show,” Artnet, March 6, 2014. http://news.artnet.com/art-world/at-the-2014-armory-show-humor-helps-ease-fairtigue-4243 (accessed March 7, 2014).
“The Approval Matrix: Week of December 1, 2014,” New York Magazine, December 1–14, 2014, 132.
Wolin, Joseph. “Sean Landers, ‘North American Mammals’,” Time Out New York, December 11–24, 2014, 56.
Baker, R.C. “‘NYC 1993’: The New Museum Takes Us Right Here, Right Then.” The Village Voice, February 20, 2013. http://www.villagevoice.com/2013-02-20/art/nyc-1993-the-new-museum-takes-us-right-here-right-then/ (accessed May 23, 2013).
Bradley, Kimberly. “The System of Objects, DESTE Foundation, Athens, 15 May–30 November 2013.” ArtReview, September 2013.
Budick, Ariella. “NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York.” Financial Times, February 27, 2013. http://www.ft.com/intl/cms/s/2/0c887f74-80c7-11e2-9fae-00144feabdc0.html#axzz2fgrteiGw (accessed May 23, 2013).
Corva, Lisa and Laura Maggi. “Planeta Blu.” Elle Décor Italia, July–August, 2013, 56–63.
Cotter, Holland. “A Time of Danger and Pain, Two Long Decades Ago ‘NYC 1993’ Exhibition at New Museum.” New York Times, February 15, 2013, C27, 30.
Johnson, Ken. “When How It Looks Matters More Than What It Says.” New York Times, November 22, 2013, C28.
Pollack, Maika. “‘NYC 1993: Experimental, Jet Set, Trash and No Star’ at the New Museum.” The New York Observer, February 18, 2013, B6.
Pollack, Maika. “‘NYC 1993: Experimental, Jet Set, Trash and No Star’ at the New Museum.” GalleristNY, February 12, 2013. http://galleristny.com/2013/02/nyc-1993-experimental-jet-set-trash-and-no-star-at-the-new-museum/ (accessed February 13, 2013).
Martinez, Alanna. “The New Museum’s ‘1993’ Is a Meandering Nostalgia Trip—But for Whom?” Artinfo, March 19, 2013. http://www.blouinartinfo.com/news/story/872405/the-new-museums-1993-is-a-meandering-nostalgia-trip-but-for (accessed May 23, 2013).
“New York Artists Now: 100 Infleuntial Artists (and 50 to Watch).” New York Observer, February 25, 2013, B6–B7.
“New York Artists Now: A Special Edition of The New York Observer.” GalleristNY, February 22, 2013. http://galleristny.com/2013/02/new-york-artists-now/ (accessed February 22, 2013).
Rabinovich, Simona. “New York, Circa 1993, at New Museum.” Gotham, February 11, 2013. http://gotham-magazine.com/the-latest/homepage/postings/new-york-circa-1993-at-new-museum (accessed May 23, 2013).
Wolf, Jonah. “The Dream of the ‘90s Is Alive at the New Museum.” Paper. http://www.papermag.com/2013/02/the_new_museum_1993.php (accessed May 23, 2013).
Fritz-Brocott, Guillaume. “Les Camouflages de Sean Landers.” Signé Barrière, Winter 2012/2013, cover, 4–5.
Gribaumont, Gwenaëlle. “Up to Art: Galleries.” Collect Arts, Antiques, Auctions, December 2012, 15.
Herbert, Martin. “Now See This: Ten Exhibitions You Don’t Want to Miss This Month.” ArtReview, December 2012, 24–25, 27–29.
Sherwin, Skye. “Artist of the Week 189: Sean Landers.” guardian.co.uk, May 10, 2012. http://www.guardian.co.uk/artanddesign/2012/may/10/artist-week-sean-landers?newsfeed=true (accessed May 11, 2012).
Smith, Roberta. “It’s Always Summer on the Inside.”New York Times, August 17, 2012, C28.
Bronson, Ellie. “Song of the Sea: Sean Landers and His Sailing Clown.” artcritical, June 8, 2011. http://artcritical.com/2011/06/08/sean-landers/ (accessed June 9, 2011).
Cotter, Holland. “SoHo, Steadfast Bastion for Alternative Works.” New York Times, April 22, 2011, C28.
Electric Literature, Number 6, 2011, cover, front and back.
Halle, Howard. “Best (and Worst) of 2011.” Time Out New York, December 15–28, 2011, 71–72.
Hernández, Xavier. “Sean Landers.” Taxi Around the Art, February 2011, 90–93.Kron, Catherine. “Out to Sea: Q+A with Sean Landers.” Art in America, May 31, 2011. http://www.artinamericamagazine.com/news-opinion/conversations/2011-05-31/out-to-sea-qa-with-sean-landers/ (accessed May 31, 2011).
Landi, Ann and Sean Landers. “‘Dear Picasso’: Revisiting and Recasting the Master’s Work, from Cubism through Guernica to the Mosqueteros of His Old Age, New Generations of Artists Are Discovering Picasso All over Again.” Artnews, May 2011, 92–99.
“The Listings: Art: Galleries: Uptown: Sean Landers: ‘A Midnight Modern Conversation.’” New York Times, June 10, 2011, C18.
Marshall, Piper. “Sean Landers: Friedrich Petzel Gallery.”, Artforum.com, June 2, 2011. http://www.artforum.com/picks/section=nyc#New%20York (accessed June 2, 2011).
Maazel, Fiona. “A Plague on Words. Ben Marcus Imagines a World in Which Language Can Kill.” Bookforum, December 2011–January 2012, 26.
New Yorker, May 30, 2011, 19.
Phillips, Brad. “Interview with Sean Landers.” whitehotmagazine of contemporary art, December, 2011. http://whitehotmagazine.com/articles/december-2011-sean-landers-interview/2424 (accessed December 9, 2011).
Pollack, Barbara. “Sean Landers: Friedrich Petzel and Marianne Boesky.” Artnews, Summer 2011, 123.
“Retrospective Monograph: Sean Landers.” JR, Fall 2011, 26.
Ruf, Beatrix. “No Intention to Fail.” Mousse Magazine, December 2011–January 2012, 90–99.
“Sean Landers, ‘A Midnight Modern Conversation’” Time Out New York, May 18, 2011. http://newyork.timeout.com/arts-culture/art/1267517/sean-landers-a-midnight-modern-conversation (accessed May 18, 2011).
“Sean Landers ‘Around the World Alone’: Paintings of an Artist Clown at Petzel Gallery.” Huffington Post, May 22, 2011. http://www.huffingtonpost.com/2011/05/22/sean-landers-around-the-w_n_861776.html (accessed May 23, 2011).
Smith, Roberta. “Sean Landers ‘A Midnight Modern Conversation’ and “Sean Landers ‘Around the World Alone.’” New York Times, May 27, 2011, C25.
“Sean Landers, ‘Around the World Alone’ at Friedrich Petzel Gallery.” Time Out New York, May 26–June 1, 2011, 44.
Wolin, Joseph R. “Sean Landers: The Artist Sets Sail on Stormy Existential Seas.” Time Out New York, June 2–8, 2011, 40.
Baran, Jessica. “Featured Review: Sean Landers: 1991–1994, Improbable History.” Riverfront Times, February 4–10, 2010, 29.
Bilsborough, Michael. “Dance to the New SIC.” SVA Continuing Education Blog, February 28, 2010. http://ceblog.sva.edu/2010/02/dance-to-the-new-sic (accessed June 2, 2011).
———. “Will the Real Sean Landers.” SVA Continuing Education Blog, January 4, 2010. http://www.schoolofvisualarts.edu/ce/blog/2010/01/will-the-real-sean-landers/ (accessed January 6, 2010).
Caplinger, Hesse. “Sean Landers: The Art Historical Context to Twitter.” St. Louis Fine Arts Examiner, March 24, 2010. http://www.examiner.com/fine-arts-in-st-louis/sean-landers-the-art-historical-context-of-twitter (accessed March 29, 2010).
Cooper, Ivy. “Review: Good Introduction to Sean Landers.” St. Louis Beacon, February 1, 2010. http://www.stlbeacon.org/content/view/14636/72/ (accessed February 3, 2010).
Dessanay, Margherita, and Sean Landers. “The Art of Sex: Sean Landers: Why Not Try Being Explicit for a Change.” Elephant, Spring 2010, 52–55.
Eberle, Todd. “Two Parties. Two Locations. And a Whole Lot of Art-World Love.” VanityFair.com., March 1, 2010. http://www.vanityfair.com/online/daily/2010/03/todd-eberle.html (accessed January 15, 2011).
Fine, Sasha. “Contemporary Art Museum St. Louis.” Student Life (Washington University in St. Louis), February 1, 2010, 7.
Graw, Isabelle. “Have You Heard? Did You Hear? Considerations on Gossip, Art and Celebrity Culture.” Karriere, Winter 2010, 6, 7, 10.
Moynihan, Miriam. “From Napoleon to Ansel Adams, Top Exhibits Were Illuminating.” STLtoday.com, December 26, 2010. http://www.stltoday.com/entertainment/arts-and-theatre/visual/article_4bd38218-fdb0-549e-a301-b10fdf6aeb6f.html (accessed January 5,
———. “Artist’s Self-Questioning on View at Contemporary.” St. Louis Post-Dispatch, January 22, 2010.
Quinn, Bradley. “Heart of Stone.” Elle Decoration, January 2010, cover, 86–95.
Sabas, Carole. “L’Art Doit Cogner.” Vogue Paris, February 2010, 229–35.
Watson, Sam. “Sean Landers: St. Louis.” Art Papers, July–August 2010, 59.
Daignault, Cynthia. “Time Is on My Side.” Last Exit, May 20, 2009. http://lastexitmag.com/article/time-is-on-my-side (accessed May 24, 2009).
D’Haene, Elise. “Sean Landers at Glenn Horowitz.” East Hampton Star, October 20, 2009.
Evans, Simon, and Sean Landers. “Meeting of the Minds: Simon Evans Puts Five Questions to Sean Landers.” Modern Painters, February 9, 2009, 96.
Frost, Jess. “December 2009, Sean Landers @ Glenn Horowitz Bookseller.” whitehot magazine of contemporary art, December 1, 2009. http://whitehotmagazine.com/articles/sean-landers-glenn-horowitz-bookseller/1990 (accessed December 15, 2009).
Landes, Jennifer. “Fantastical, Disquieting Sean Landers.” East Hampton Star, December 29, 2009.
Pasquarella, Sheri. “We Love the 90’s: Sean Landers’ Narcissistic [sic].” Tar, Spring 2009, 126, 128, 130.
Smee, Sebastian. “Unflattering Reflection: In Two Exhibits, Artists Look Inward with a Result That’s More Indulgent Than Interesting.” Boston Globe, August 1, 2009.
Britt, Douglas. “Reading between the Lines.” Houston Chronicle, January 2008, E1, 5.
“Fugitive Tales: Sean Landers.” MUTE, 2008, 3, 18–19.
“Goings On about Town: The Why of Life.” New Yorker, May 12, 2008, 28.
Iredale, Jessica. “Sneak Peak.” W, October 2008, 128.
Rosenberg, Karen. “Sean Landers: ‘Set of Twelve’: Friedrich Petzel.” New York Times, October 31, 2008, C27.
Saunders, Matt. “To Everyone’s Chagrin: On Sean Landers at Galerie Giti Nourbakhsch.” Texte zur Kunst, June 2008, 197–200.
Schultz, Troy. “Superconscious Powers.” Houston Press, January 17–23, 2008, 38.
Smith, Roberta. “Fia Backström: ‘That Social Space Between Speaking and Meaning’: White Columns.” New York Times, July 18, 2008.
“‘These Things’ Curated by Jesse Nathan.” Opium, Fall 2008, 67–84.
Tomkins, Calvin. “Lifting the Veil: Old Masters, Pornography, and the Work of John Currin.” New Yorker, January 28, 2008, 58–67.
Armetta, Amoreen. “Sean Landers: Andrea Rosen Gallery, through June 9.” Time Out New York, May 31–June 6, 2007, 73.
“The Armory Show, New York City.” MESH–Contemporary Art Museum St. Louis, Spring–Summer 2007, 37.
Campagnola, Sonia. “Live from Los Angeles.” Flash Art, November–December 2007, 100–103.
Garner, Dwight. “Living with Music: A Playlist by Kenneth Goldsmith.” New York Times, November 14, 2007.
Hainley, Bruce. “’Magritte and Contemporary Art: The Treachery of Images’: Los Angeles County Musuem of Art,” Artforum, February 2007, 301.
Landers, Sean. “Sean Landers.” Fun Palace, November 2007, 54–55.
Langer, Eli, and Sarah Lehrer-Graiwer. “Sean Landers: China Art Objects: Los Angeles.” ArtReview, December 2007, 131.
Beagles, John. “Sean Landers: greengrassi.” MAP, May 2006.
Bjornland, Karen. “The Mind, Investigated: Painting, Sculpture, Video Take Visitors inside Artists’ Heads at Tang Museum.” Sunday Gazette, May 14, 2006, G1, G3.
Cumming, Laura. “Mr. Hirst Went Shopping . . . and the Art He Bought Paints Damien the Collector as Both a Safe Investor and an Indulgent Friend.” The Observer, December 3
“Damien Hirst Curates a Limited Edition Print Portfolio for the Serpentine.” Serpentine Gallery: Exhibitions Projects Talks Events, Winter 2006–7, 72–77.
Dimopoulos, Thomas. “Tang Gets into Your Head.” Saratogian, February 12, 1996, 1C, 10C.
Herbert, Martin. “Sean Landers: greengrassi.” Time Out London, March 22, 2006, 41.
“In the Darkest Hour There May Be Light: Works from Damien Hirst’s Murderme Collection.” Serpentine Gallery: Exhibitions Projects Talks Events, Winter 2006–7, 10–23.
Januszczak, Waldemar. “From Maverick to One of the Herd.” Sunday Times (London), December 3, 2006, Culture sec.
Limón, Mauricio, and Sean Landers. “Error Humano: Entrevista con Sean Landers por Mauricio Limón.” Celeste, Summer 2006, 56–61.
Schoeneman, Deborah. “Art Survivor: Artists Leave Work Outside: Pigeons Refuse to Poop on It.” New York, April 24, 2006, 14.
Smith, Roberta. “Menace, Glitter and Rock in Visions of Dystopia.” New York Times, December 29, 2006, 39–44.
“The Devil Inside,” V Magazine, No. 38, Winter 2005/06, p. 52-53
Jafner, Hans-Jurgen, “Dirty Clown. Sean Landers”, Spike Art Quarterly. No. 5, September, p. 64
Lange, Christy and Dezeuze, Anna,“Bound to Fail”, TATE ETC Issue 4, Summer 2005
Scruggs, Gregg. “Art Review: Likeness, Institute of Contemporary Art”, The Harvard Independent, March 10, 2004
Rimanelli, David, “Sean Landers, Kunsthalle, Zurich”. Artforum. September p. 123
Pollack, Barbara, “The Elephant in the Room”, Art News. September, p. 118 -119
Landers, Sean. “Have You Been Thinking of Leaving New York and If So, Why?”, Text Zur Kunst, June, p.101
Papadopoulos, Helena., “An Afternoon or Two With Sean Landers”, Stripped Bare 02May
Houser, Craig. “Sean Landers”, Flash Art . May-June, p. 82 The New Yorker. March 15, p. 38
Landers, Sean. “Sean Landers: Andrea Rosen Gallery, New York”, Frieze. May, p.108
Smith, Roberta. “I am the Walrus at Cheim & Read”, The New York Times . June 25, p. E33
Smith, Roberta. “Sean Landers at Andrea Rosen Gallery”, The New York Times April 2, E35 Time Out. March 11 – 18, p. 84
Collings, Matthew. “Getting Ahead in New York”, Modern Painters. Summer, p.18-19
Nelson, Arty. “Cherries on Top: Sister show puts sculpture on a pedestal” LA Weekly, July 2-8
Wust, Karl Dominante Rolle: Clowns und Affen, BundnerTagblatt, 28th August
Rudernde Clowns und schreibende Affen, Zurcher Unterlander, 28th August
Wust, Karl Traurige Clowns und schreibende Aggen, Schweizerische Depeschenagerntur, 28th August
Im Land der Kunstmuseen, Sonntags Zeitung, 29th August
Meier Philipp, Der Kunstler als Idiot, Affe und Clown, Neue Zurcher Zeitung, August 31st
Sean Landers – Kunsthalle Zurich, Praxis, September
Avanti Dilettanti, Die Weltwoche, No.36 September 2nd
Sean Landers, NZZ am Sonntag, 12th September
Im Atelier mit der Peitsche, Zurichsee-Zeitung, 13th Septemer
Sean Landers, L’Hebdo, 16th September
diotenbilder, Basler Zeitung, 25th September
Grandjean, Emmanuel, Les nuages de Jessica Diamond ne sont pas eternels, Tribune de Geneve, September 25th-26th September
Uberleben und Unsterblichkeit, Schweizer Illustrierte, 18th October
Landers, Sean, Sean Landers - Andrea Rosen Gallery, Frieze, Summer, p.108
“Not–so-iron lady,” Art Review. Vol. 1 No. 7, May, p.20
“Thatcher Years Art Show Opens”, BBC News Online. April 16
Coomer, Martin. “Sean Landers at Greengrassi”, BBC News Online June 25 – July 2, p. 57
Buck, Louisa “Sean Landers – new paintings greengrassi” The Art Newspaper. July-August
Williams, Eliza “Sean Landers - greengrassi” Art Monthly. July - August p. 44 - 45
Lyall, Sarah. “Margaret Thatcher as Muse”, The New York Times. May 12, pp. E1 & E5
Plender, Olivia. “Sean Landers, Greengrassi, London”, Frieze October, p.126
“Sean Landers”, Symbol. March 23, pp. 34-37
Saltz, Jerry. “Repeat Performance”, VillageVoice.com. October 7
Cash, Stephanie. “Sean Landers at Andrea Rosen Gallery,” Art in America. November
Dannat, Adrian. “Appropriating Picasso ‘because I want to be as great as him’”, The Art Newspaper. May, p. 80
Hayt, Elizabeth. “If You Wow Them They Will Come”, The New York Times. February 18
Edelson, Sharon. “Art Course: Restaurants are turning into ad hoc galleries, displaying the work of topflight artists”, W. September, pp. 442, 444, 452, 454, 456
Kimmelman, Michael. “Sean Landers at Andrea Rosen Gallery”, The New York Times. May 4, E33
Fineman, Mia. “I, Picasso”, The Village Voice. May 15, Vol. XLVI, No. 19, p. 70
Gilbert, Andrea. “Splash”, View Magazine. Summer, p. 88 - 93
Perree, Rob. “Sean ‘Picasso’ Landers”, Kunstbeeld. July/August, p. 64-65
“Sean Landers at Galerie Jennifer Flay”, FigaroScope. September 5-11, 2001. No. 17751. p. 45
Mahoney, Robert. “Sean Landers at Andrea Rosen Gallery”, Time Out New York. April 26 –May 3, p. 63
Parker, Lauren. “Spring Art Walk Best of Show: Sean Landers at Andrea Rosen Gallery”, The New York Observer. April 16, p. 8
Siegel, Katy. Public Offerings. Exhibition catalogue published by The Museum of Contemporary Art. Los Angeles. Young Americans, p. 207-192
Wilson, Michael. “Sean Landers at Andrea Rosen Gallery”, Untitled. Summer, p. 34-35
“Goings on About Town: Sean Landers at Andrea Rosen Gallery”, The New Yorker. May 14
“A Guide to the Great Neighborhoods in New York: Chelsea”, SPUR. June, p. 181
Cereceda, Miguel. ABC Cultural. “Panorama de Nueva York”, November 18, p. 39
Daly, Catherine. “Kin”, The Sunday Times. July 23
Farquharson, Alex. “Sean Landers at greengrassi London”, Art Monthly. Issue 239, September
Groarke, Vona. “Kin at Kerlin”, Galleries Magazine. August
Kent, Sarah. “Sean Landers at Greegrassi”, Time Out London. July 19 – 26, p. 60-61
McLaren, Duncan. “Sean Landers at Greengrassi London”, The Independent on Sunday, July 23
Ruane, Medb. “Not such kindred spirits”, The Sunday Times. August 6, p. 10-11
“Group Show: Kin at Kerlin Gallery”, In Dublin Magazine. Vol. 25, Issue 15, July/August 2000 “Green fields of New York”, The Irish Times. July 19
Cereceda, Miguel. “Panorama de Nueva York”, ABC Cultural. November 18, p. 39
Art Club Magazine. Autumn 2000, inside cover
“Arte a la vanguardia”, Camb16. October 23, p. 90
“La obra de una treintena de artistas residented en Nueva York desembarca en Tenerife” El Dia.
“John Currin, Sean Landers and Richard Phillips,” Tema Celeste, May/June, p. 148
Arning, Bill. “Sean Landers at Andrea Rosen Gallery”, Time Out New York. Issue 189, May 6 –13, p. 75
Collings, Matthew. It Hurts: New York Art from Warhol to Now. 21 Publishing Ltd,Cambridge, England
Dalton, Jennifer. “Sean Landers at Andrea Rosen Gallery”, Review. May 15, p. 13
Ebony, David. “David Ebony’s Top Ten: Sean Landers at Andrea Rosen Gallery” artnet.com.
Grabner, Michelle. “Examining Pictures”, Frieze. November/December, p. 108-109
Johnson, Ken. “Sean Landers at Andrea Rosen Gallery”, The New York Times. May 14, p. E37
Lutzow, Gunnar. “Total genial”, Berliner Morgenpost. May 22, p. 29
Meyer, P.H. “Sean Landers”, Juliet art magazine. February – March, p. 42 – 43
Matsui, Midori. Masahiko Kuwahara. (exhibition catalogue from Tomio Koyama Gallery, Tokyo, Japan) “The Unnameable Margin: Masahiko Kuwahara’s Serious “Bad Painting”
Pagano, Denise. Il Giornale Dell’Arte. May, No. 177, p. 84
Paparoni, Demetrio. Tema Celeste. December, No. 76, p. 54-61
Pinchbeck, Daniel. The Art Newspaper. Vol. X, No. 92, May, p. 70
Riemschneider, Burkhard & Uta Grosenick, Eds. Art at theTurn of the Millenium. Published by Taschen. p. 298-301
Rimanelli, David. “Best of the 90’s: Abject Art”, Artforum. December, p. 122
Romano, Gianni. Bloom. Published by Contemporary Art Garden, Milan, Italy
Saltz, Jerry. “Wanting it: Sean Landers at Andrea Rosen Gallery”, The Village Voice. May 25, Vol. XLIV, No. 20, p. 142
Seigel, Katy. “Sean Landers, Andrea Rosen Gallery”, Artforum. September 1999, Vol. XXXVIII, No. 1, p.167-168.
Smith, Roberta. “Conceptual Art: Over, and Yet Everywhere”, The New York Times. April 25, Art & Leisure section, p. 1, 38
Vincent, Steven. “Sean Landers at Andrea Rosen”, Art & Auction. April 15, p. 74
Zylka, Jenni. “Trick 17 mit dem Supernichts”, Die Tageszeitung. May 27, p. 21
New York Contemporary Art Report. May-June, p. 74-75
“Looking Ahead: Millennial Visions and Old Favorites”, >The New York Times. September 12, p. 93. 96
“Sean Landers at Andrea Rosen Gallery”, The New Yorker. May 24, p. 16
Aono, Naoko. “Culture Clash!”, GQ Magazine Japan. April, p. 154
Bumiller, Elisabeth. “Hostess of Her Own Party, 6 Nights a Week”, The New York Times. May 22, p. B2
Bussel, Abby. “Play It Again”, Interior Design June, p.138-141
Collings, Matthew. Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, Published by 21 Publishing Ltd, Cambridge, England
Colman, David. “Chelsea Rising”, Elle Décor. August/September, p. 104, 106, 108-109
DiPietro, Monty. “The Artist as Generation Xer”, Asahi Evening News. March 26, p. 11
Fabricant, Florence. “In Chelsea, Lot 61”, The New York Times. March 11, p. F11
Fioravante, Celso. “Sobra cor e falta ruido em ‘Hanging’”, Folha De Sao Paolo. May 4, p. 5
Frank, Thomas. “Corporate Wretch”, Artforum. November, p. 27
Hogrefe, Jeffrey. “The Force behind Guggenheim’s Nudie Show”, The New York Observer. May 11, p. 26
Kawachi, Taka. “Sean Landers”, B.T. Magazine. November, p. 54-56
Kliner, Dion. “After the Disasteroid”, Flash Art. Summer, p. 113-115
Lauf, Cornelia and Clive Phillpot. Artist/Author: Contemporary Artists’ Books. Published by DAP, Inc., New York. p. 75,82 88, 157
Louie, Elaine. “The New Bohemia: Ordering : Comfortable Minimalism”, The New York Times. February 26, p. F3
Matsui, Midori. “Sean Landers at Taka Ishii Gallery”, Studio Art Magazine. April, p. 129
Nishihara, Min. “Insight Art”, Elle Magazine (Japan). April, p. 291
Viegas, Camila. “Mostra aponta rumos da pintura moderna”, O Estado de Sao Paolo. May 4, p. D1
“The Trying of Lot 61”, Art and Auction, January, p. 17
“Imaginario pop”, Folha de Sao Paolo. May 5, Section 4, p. 2
Gallery Monthly. (Japan). March, p. 31
“Sean Landers at Taka Ishii Gallery”, Gap. (Japan) May, p. 82
Globo Rio Show. “Nove faces da arte no Paco Imperial”, July 17-19, p. 9
Weekly PIA. (Japan). April 13, p. 208
Weekly PIA. (Japan). March 23, p. 187
Arning, Bill. “a/drift”, World Art. No. 13, pp. 74-75
Atamian, Christopher. Review. “Self-Centered”, September 15, p. 41-42
Boyce, Roger. “Reviews: Sean Landers at Andrea Rosen”, ArtNet.Com/Magazine/Reviews. website review Juine 19, 4 pages
Conrads, Martin. “Ansichten eines Clowns”, zitty. January 20, No. 2, p. 200
Fricke, Harald. “Bronx in Weimar: Kunstin Berlin jetzt: Calle, Yong, Pollmann, Brauntuch, Landers”, Die tageszeitung. January 18/19, p. 36
Heartney, Eleanor. “Sean Landers at Andrea Rosen Gallery”, Art in America. December, p. 96-97
Horodner, Stuart and Mark Sanders. “Warhol is...”, Dazed and Confused. Number 27, p. 48-51
Katz-Freiman, Tami. “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York”, Art Papers. November/December, Vol 21, Issue 6, p. 78-80
Katz-Freiman, Tami. . “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York”, Spring, 1997”, Studio Art Magazine. p. 36-40, No. 87, November
Liebmann, Lisa. “New Hughes: Blimey! From Bohemia to Britpop: The London
Artworld from Francis Bacon to Damien Hirst by Matthew Collings”, Bookforum. Winter, p. 3, 51
Pyrgioti, Eleni. “Sean Landers”, Arti. Volume 32, p. 165-166
Schwendender, Martha. Time Out New York. May 22 - 29, p. 45
Simpson, Helen. “Meat for Thought”, Modern Painters. Spring, pp. 94-96
Smith, Roberta. “Despite Changes, a Gallery Scene That’s Resilient and Vital”, The New York Times. May 9, p. C1, C24
Stein, Lisa. “Art: Ten in One Gallery”, New City. July 24, p. 22
Van de Walle, Mark. “Sean Landers at Andrea Rosen Gallery”, Artforum. December, p. 119-120 Manhattan File. April
“Talk of the Town: Sean Landers”, New Yorker. May 26, p. 20
“Movies and Films”, Point of Contact. Winter/Spring, Vol. 5, No. 1, p. 88 – 93
Allerholm, Milou. “‘NowHere’ at Louisiana Museum, Denmark”, Index. November/December, p. 94-95, 137-138
Auerbach, Lisa Anne. “Lush Life: Sean Landers’ Intoxicating Images”, Los Angeles Reader.March 15, Vol. 18, No. 23, p. 17
Bartas, Magnus. “Slave to the Rhythm”, Index. Number 3-4, p. 93-94
Cafopoulos, Catherine. “Counting Time and Other Things”, October/November/December, Volume 31, p. 224-241
Caniglia, Julia. “Artists of the Year: The makers that mattered in 1996: Sean Landers” City Pages. December 25, Vol 18, No. 838, p. 17
Cork, Richard. The London Times. January 30, p. 38
Damianovic, Maia.. “Il Fantastico in arte”, Tema Celeste. Winter, p. 76-99
Decter, Joshua. “Sean Landers at Regen Projects”, Artforum. May, p. 108
Dorment, Richard. “A device to blow your mind”, The Daily Telegraph. January 24
Ericsson, Lars O. DN.. “Konsten som forsvann”, Kultur & Nojen. June 3, p. 1
Fineman, Mia. “the scrawl of the wild”, World Art. Number 4, pp. 76-79.
Gail, Iain.. “Iain Gale on exhibitions”, The Independent ‘Metro’. January 26
Hall, James. The Guardian. January 30
Hilton, Tim. The Independent. “No Laughing Matter”, February 1, p. 4
Honigsbaum, Mark. Evening Standard. “The great white shark of art”, January 22
Itaver, William. The London Observer. “A choc-and-doodle do”, February 4
Januszczak, Waldemar. “Gnawing Questions”, The London Sunday Times. February 4
Johnson, Paul. “What a load of old lard”, Daily Mail. January 26
Kent, Sarah. “USA-grade: Sarah Kent on ‘Young Americans’”, Time Out. January 31 - February 7, p. 46
Larsen, Lars Bang. “‘Toons’ at Campbells Occasionally, Copenhagen”, Flash Art. October, p. 75
Lyttelton, Celia. “Sean Landers”, The Now Art Book. p. 94-95, 187-188
Maloney, Martin. “Young Americans: Parts I & II”, Flash Art. May/June, pp. 108 - 109
McEwen, John. “A transparent bomb, a saucepan full of napalm”, The Sunday Telegraph. January 28
Muller, Katrin Bettina. “Ausgelutscht- Der Amerikaner Sean Landers be Contemporary Fine Arts”, Der Tagesspiegel. December 28, p. 21
Packer, William. “All chewed up over art”, Financial Times. January 30
Philippi, Anne. “wunderbar: Asthetik der Ungebung”, Spex. June
Poerschke, Ralf. Hamburger Rundschau. June 6, No. 24, p. 50-51
Rubenstein, Raphael. “Visual Voices”, Art in America. April, pp. 94-101, 133
Schreiber, Susanne. “Handelsblatt. Biographisch kodiert”, July 5 & 6,
Schwendener, Martha. “Catch My Drift?”, Time Out New York. December 12 - 19, p. 40
Seyfarth, Ludwig. “Mein wunderbarer: Malsalon”, Szene Hamburg. June, p. 88 - 90
Smith, Roberta. “Finding Art in the Artifacts of the Masses”, The New York Times. December 1, p. 43, 46
Stange, Raimar. “Wunderbar”, Artist Kunstmagazin. March, p. 44-47
Van de Walle, Mark. “Best and Worst: Music”, Artforum. December, p. 53
“Special Artists’ Project”, Dazed and Confused. Number 16, p. 95-99
“23 Kunstler stellen im Hamburger Kunstverein aus: Wunderbar subjektiv”, Hamburger Abendblatt. June 1/2, p. 23
Hvedekorn. March, p. 80-81
Le Millenium. No. 15
“Genius Lessons” (a monthly column by Sean Landers), Spin Magazine. June, p. 140
“Genius Lessons” (a monthly column by Sean Landers), Spin Magazine. July
The Village Voice. “Pop Crossover”, May 28, p. 92
Budney, Jen. “Sean Landers: Therapy?”, Flash Art. March/April, p. 91-93
Croke, Vicki. “The draw of the wild”, The Boston Globe. November 25, pp. 21, 26
Greene, David A. “Narcissistic Disturbance at Otis Gallery”, Art Issues. March/April, p. 40
Jones, Ronals. “Sean Landers at Andrea Rosen Gallery”, Frieze. September – October, p. 75-76
Katz-Freiman, Tami. Studio Art Masazine, No. 64, August - September,
Levin, Kim. “Voice Choice: Sean Landers at Andrea Rosen”, The Village Voice. May 9, Choice section, p. 2, 3
Raffalli, Jean-Francois. “John Currin: FRAC Limousin - Limoges”, Blocnotes. Number 10, Sept/Oct, p. 82
Robinson, Walter. (introduction by) Manhattan File. “Me and My Shadow” (self-interview) December, p. 54-57
Rugoff, Ralph. “Vanity Fare”, LA Weekly. February 17 - February 23, p. 33
Seward, Keith. “Logorrhea Sean Landers is [sic]”, Paper Magazine. November, p. 36
Silver, Joanne. “MIT exhibit explores our kinship with ‘Apes’”, The Boston Herald. Friday, October 13, p. S21
Taylor, Robert. “Gorillas in our midst”, The Boston Globe. November 16, p. 65, 71
“Sean Landers at Galerie Jennifer Flay”, artpress. November, p. 17
Fat. Winter 1995/1996, p. 46
Lacanian Ink. Number 10, Fall, p. 28-29 (illustration)
“Goings on About Town: Sean Landers at Andrea Rosen”, The New Yorker. May 8, p. 20
Avgikos, Jan. “Sean Sucks...Not: Portrait of the Artist as a Young Artist”, Artforum. April, pp. 67-69, 133
Billeter, Fritz. “Schnorkel und Schleifchen”, Tages-Anzeiger. Monday, February 28
Cameron, Dan. "Ode to discernment", Frieze. January/February, p. 36-40
Choon, Angela. "Desire for Identity: Artists build images for themselves", Art and Antiques. March, p. 20
Clewing, Ulrich. “Grandioser Flop”, Zitty. No. 21, p. 57
Cooper, Jacqueline. “Letters: To the editor”, Artforum. Summer, p. 7
De Beyerd. “Can you always believe your eyes.”, Haagsche Courant. April 29,
Decter, Joshua. “Stupidity as Density: American Idiot Culture”, Flash Art. October, p. 72-76
Drohojowska-Philip, Hunter. “Not Bad, Just Misunderstood”, The Los Angeles Times. (Washington edition) March 18, p. B8-9; and “This ‘Bad-Boy Artist Has Lots of Thoughts on Love” (Los Angeles edition), March 18, p. F1, F24 and Quote of the Day, p. F1
Fricke, Harald. “Verganglichkeit ist keine Frage des Stils”, Die Tageszeitung. October 22, p. 38
Hultkrans, Andrew. “Sean Sucks...Not: The Tres Boring Hours”, Artforum. April, p. 62-65, 117, 119
Kandel, Susan. “Sean Landers: A “Bad Boy’ Goes Bad”, The Los Angeles Times. March 22
Kent, Sarah. “Sean Landers at White Cube”, Time Out. June 1 - 8, No. 1241, p. 42
Langer, Werner. “Galerien: Einkehr bei Einzelgangern”, Der Tagesspiegel. October 1, p. 25
Lewis, Jim. "The Writings on the Wall", Harper's Bazaar. March, pp. 182-186
Lewis, Jim. "Pragmatics", Art Issues. January/February, pp. 12 - 15
Mack, Gerhard. Cash. Hinter der Buhne lauert die reale Welt: Das Luzerner Kunstmuseum blickt mit “Backstage” hinter die Kilissen der modernen Kunst”, No. 6, February 11, p. 53
O’Grady, Lorraine. “Sean Sucks...Not: SWM”, Artforum. April, pp. 65-66
Pacheco, Patrick. "America's Top 100 Collectors", Art and Antiques. March, p. 47-52, 60-63, 72-76, 80-84, 92-97, 104-105
Perree, Rob. “De Duivelse Kunsten van Sean Landers”, Kunstbeeld. November, p. 35 - 37
Princenthal, Nancy. The Print Collector's Newsletter. January-February, Vol. XXIV, No. 6 p. 230
Ritchie, Matthew. “The World Made Flesh”, Flash Art. May/June, No. 176, p. 71-72
Saltz, Jerry. “A Year in the Life: Tropic of Painting”, Art in America. October, p. 90 - 101
Silverthorne, Jeanne. “On the Studio’s Ruins”, Sculpture. November/December, p. 26-29
Smith, Roberta. "Group Shows of Every Kind, Even When the Show Itself Is an Art Form", The New York Times. February 25, p. C22
Tager, Alisa. “Sean Landers at Regen Projects”, Art Issues. May/June, p. 47
Volkart, Yvonne. “Passing Through - Walcheturm, Zurich”, Flash Art. May, June, p. 79
Weil, Benjamin. "Backstage", Flash Art. January/February, p.95
Young, Lucie. “Apathy in the USA”, The Face. No. 70, July, p. 96 - 99
“Sean Landers cartoons”, Nummer. January, p. 101-105
“Remisisonem Peccatorum”, New Observations. No. 103, p. 4
“Passing Through”, Zuri-tip. January 21, 1994
Ardenne, Paul. "Sean Landers at Galerie Jennifer Flay", Art Press. July - August, No. 182
Bourriaud, Nicolas. "Curator's Statement: Nicolas Bourriaud: Standards", Flash Art Daily. June 10, p. 8
Brenken, Erika. "Jenseits der Gemutlichkeit", Rheinische Post. September 15, p.11
Dahlqvist, Dennis. "Hackat och vrickat", Expressen. June 28, p.5
Gardner, Belinda. "Da gerat einiges ins Wanken", Hamburg Rundshau. September 16, no. 38, p. 10-11
Gilliam, Liam. "A Guide to Video Conferencing Systems and the Role of the Building Worker in Relation to the Contemporary Art Exhibition (Backstage)", Documents. October, p. 36-37
Gopnik, Adam. "The Art World: Death in Venice", The New Yorker. August 2, p. 66 - 73
Heartney, Eleanor. "Galleries: The Emerging Generation - New York, The Art of Survival", Art Press. October, No. 184, p. 24 - 28; E7 - E10
Hixson, Kathryn. "Trouble in Paradise", New Art Examiner. October, p. 28-32
Jacques, Alison Sarah. "Sean Landers", Flash Art Daily. June 10, p. 7
Landers, Sean. "Dear Text zur Kunst", Texte zur Kunst. June, p. 105-107
Levin, Kim. "Voice Choices: Sean Landers at Andrea Rosen Gallery", The Village Voice. November 16,
Meckseper, Josephine. "Sean Landers interviewed by Josephine Meckseper", 241. May, p. 20-24
Minetti, Maria Giulia. "E l'artte riparte dai punti cardinali", L'Uomo Vogue. June, p. 100
Muller, Silke. . "Backstage", Kunstforum. October, pp. 389-391
Risaliti, Sergio. "Flash Art News: I, Myself and Others - Magasin, Grenoble", Flash Art. May, p. 123
Salvioni, Daniela. . "Flash Art News: Aperto -A Stroll Through the Emergency", Flash Art. October, p. 67-68
Smith, Roberta. "Sean Landers at Andrea Rosen Gallery: Art as its maker's mirror", The New York Times. November 26, p. C29
Sugiura, Kunie. "Sean Landers", B.T.: Monthly Art Magazine. July, Vol 45 no. 672 p. 40-41
Verzotti, Georgio, "Aperto '93: The Better Biennale", October, pp. 104-105
"La Biennale de Venise", Galeries Magazine. Summer, pp. 69-75
"Sean Landers at Jennifer Flay", Pariscope: une semaine de Paris. May 5 - 11, p. 170
“La Biennale di Venezia,” B.T.: Monthly Art Magazine. p. 68
"What Asher Edelman Buys", The ARTnewsletter. July 6, p.3
"Goings On About Town: 'Sean Landers at Andrea Rosen", The New Yorker. November 15, p.28
"Goings On About Town: 'Confessional'", The New Yorker. March 8 241. reproduced "Locked in Hamburgh's Kunsverein!", Summer, p.14-19
Adams, Brooks. "Sean Landers at Andrea Rosen Gallery", Art in America. July, p.105
Arning, Bill. "The Anti-Masculine (Overlapping but not corresponding to the feminine)", Essay from group exhibition at Kim Light Gallery.
Braff, Phyllis. "7 Artists With Bright Futures", The New York Times. September 13, Long Island section
Hansen, Malene Vest. "Europas paradis", Politiken. June 11
Kerte, Jens. "Kunst pa reklame-tavlerne", Politiken. June 3
Kruger, Barbara. "A vous et a moi: 'I, Myself and Others' au Le Magasin, Grenoble", Le Monde (Rhone-Alpes). October 2, p. 25
Kuoni, Carin. "New York: Ein Heer von Versagern", Kunst-Bulletin. No 4, April, p. 58-59
Larson, Kay. "Art on Site: Twenty-five Years in Two Hours", Atelier. July, p. 64 - 83
Larson, Kay. "Darkness Visible", New York Magazine. March 16, p. 79-80
Levin, Kim. "Choices", The Village Voice. March 10, p.73
Lieberman, Rhonda. "The Loser Thing", Artforum. September, pp. 78-82
Meyer, Peter S. "Bizart, Copenhagen", Nordic Art Review. September
Meyer, Peter S. "Kunst pa reklamernes plads", Kristeligt Dagblad. June 11
Michelsen, Anders. "Paradise Europe, Bizart, Copenhagen", Art & Text. September
Nesbitt, Lois. "The Young, The Wild and The Wicked", Elle Magazine. March, p. 130 - 132
Rimanelli, David. "Sean Landers at Andrea Rosen Gallery", Artforum. May p. 116
Slivka, Rose C.S. "Collector's Choice", East Hampton Star. September 17
Smith, Roberta. "Examining a Multi-Media Personality", The New York Times. February 21, p.22
Sugiura, Kunie. "From New York", B.T.: Monthly Art Magazine. June, Vol 44 no. 655 p. 163
Weil, Benjamin. "Spotlight: Sean Landers", Flash Art. May/June, p.110
Weiss, Marion Wolberg. "Review: Emerging Artists at the Vered", Dan's Papers. September 18
"News: Copenhagen - Paradise Europe", Flash Art. Summer, p.132
"Project for Publicsfear", Publicsfear. Vol. 1, No. 1, p. 35-46
The New Yorker. March 9, pp. 12 - 13
Bravin, Karin. "SOHO: Untitled '92", New York Connection. Volume 40, p. 44-48
Decter, Joshua. "Sean Landers", Arts. February
Decter, Joshua. review of "Work? Work in Progress?", Arts. March
Greenhagen, Holly. Reader. March 29, Section 1
Hagen, Charles. "An Epistolary Motif", The New York Times. August 23
Hixson, Kathryn. review, "Videos and a Film....", Flash Art. October
Holmqvist, Karl. "Scatter Pieces", Material. No.3, p. 7-10
Jolles, Claudia. "Notizen Eines Gluckosen", ZuriWoche. March 28
Kozik, K.K. review of "Lyric," White Columns, Cover. May
Kuoni, Carin. "Work In Progress. Work? Eine Ausstellung - oder ein Zustand in New York", unst BulletinK. April
Levin, Kim. "Choices", Village Voice. August 20
Lieberman, Rhonda. "Sean Landers", Flash Art. March/April
McCracken, David. review, Chicago Tribune. October 25
Miller, John. "Sean Landers", Texte Zur Kunst. Spring Issue
Nesbitt, Lois. "Sean Landers", Artforum, March
Rosenberg, Barry A. and Carol Nathanson. Words & #s. Wright State University, Dayton, OH. exhibition catalogue
"Goings On About Town", review, The New Yorker. September 2
Andersen, Michael. "Sean Landers", Contemporanea. March
Decter, Joshua. "Sean Landers", Arts. April
Gilbert, Elizabeth. "It's Not Done Yet", Downtown Express. December 12
Hess, Elizabeth. "Caution: Artists Working", The Village Voice. December 18
Lewis, James. "Sean Landers", Artforum. April
Mahoney, Robert. "Sean Landers", Art Today. volume 2, number 1
Smith, Roberta. "Echoes of the 60's and 70's Among the Young and Little Known", The New York Times. November 30
"Goings On About Town", review, The New Yorker. July 1
"Goings On About Town", review, The New Yorker. December 24
"Goings On About Town", review, The New Yorker. December 10
Anderson, Alexandra. "The Next Generation", Smart. September/October
Iverem, Esther. "At City Parks, Spring Is In The Art", New York Newsday. May 12, weekend p. 1, 16 -17
Mahoney, Robert. "New York In Review (Outer Limits)", Arts. November
Brenson, Michael. "Outdoor Works Echo Struggles of Life in the City", (Art on the Beach), The New York Times. July 15, p. C28
Mahoney, Robert. "New York in Review", (Art on the Beach), Arts Magazine. November
Brenson, Michael. "A Bountiful Year in Outdoor Sculpture, Glimpses of a New Sensibility", (South Beach III), The New York Times. July
Sean Landers’ [sic], Saatchi & Saatchi, New York, NY, presented by Art Production Fund and White Columns, February 27, 2010
Poetry Marathon, Serpentine Gallery Pavillion 2009, London, UK, organized by Hans-Ulrich Obrist, October 17 and 18, 2009 (catalogue)
WRITING AND ARTIST PROJECTS
“Art, Life and God.” Input, Spring 2010, 134–41.
“Artist’s Favourites by Sean Landers.” Spike Art Quarterly, Autumn 2011, 24–26.
“Dear Flash Art.” Flash Art, October 1993, 65.
“‘Dear Publicsfear’: Project for Publicsfear by Sean Landers.” Publicsfear, 1992, 35–46.
“Dear Texte zur Kunst.” Texte zur Kunst, June 1993, 105–7.
“A Haiku Invitational.” Publicsfear, October 1993, 74–82.
“Have You Been Thinking of Leaving New York, and If So, Why?” Texte zur Kunst, June 2004, 101–10.
Jennings, Susan, ed. THIS: A Collection of Artists’ Writings. New York: Right Brain Words, 2009.
“Locked in Hamburg’s Kunstverein!” 241, Summer 1993, 14–19.
“Me and My Shadow,” introduction by Walter Robinson. Manhattan File, December 1995, 54–57.
“Mickalene Thomas.” Bomb, Summer 2011, 30–38.
“Movies and Film Makers.” Point of Contact, Winter–Spring 1997, 88–93.
Papadopoulos, Helena, ed. BOB. Athens: Helena Papadopoulos, 1994, cover, 75–78.
“Sean Landers: Andrea Rosen Gallery, New York.” Frieze, May 2004, 108.
“Sean Landers: Onwards!” Frieze, January–February 2009, 16.
“Special Artists’ Project: Sean Landers.” Dazed & Confused, 1995, 95–99.
Troncy, Eric, ed. L’Endroit idéal (Ideal Place). Val de Reuil: L’Ile du Roy, Centre d’Art et Jardin, 1993, 94–101.
“Warhol is . . .” Coordinated by Stuart Horodner and Mark Sanders. Dazed & Confused, 1996, 48–51.
Art, Life and God. East Hampton, NY: Glenn Horowitz Bookseller, 2009.
Art, Life and God. New York: Sean Landers, 1990.
Daily Reminder 1991. New York: Sean Landers, 1991.
Sean Landers: Cartoons. New York: Regency Arts Press, 2005.
[sic]. East Hampton, NY: Glenn Horowitz Bookseller, 2010.
[sic]. New York: Riverhead Books, 1995.
[sic]. New York: Publicsfear Press, 1993.
Arnatt, Matthew and Davin Mollin. 100 Reviews April 2003. London: Alberta Press, 2003.
Baum, Judith. This Other Being: Worüber Männer Untereinander Nicht Reden. Vienna: Triton Verlag, 2000.
Biesenbach, Klaus. Henry Darger. Munich: Prestel Verlag, 2009. Second edition 2014.
Bony, Anne, et al. Les Années 90. Paris: Éditions du Regard, 2000.
Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du Réel, 1998, 2002.
Browne, Alix, and Christopher Bollen, eds. Artists: Photographs by Jason Schmidt. Paris: Edition 7L, 2006.
Buck, Louisa, and Judith Greer. Owning Art: The Contemporary Art Collector’s Handbook. London: Cultureshock Media, 2006.
Chiu, Melissa, and Miwaku Tezaka. Yoshitomo Nara: Nobody’s Fool. New York: Asia Society Museum in Association with Abrams, 2010.
Collings, Matthew. This Is Modern Art. London: Seven Dials, Cassell & Co., 1999.
———. This Is Modern Art. London: Weidenfeld & Nicolson, 1999.
———. It Hurts: New York Art from Warhol to Now. London: 21 Publishing, 1998.
———. Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst. Cambridge, UK: 21 Publishing, 1997.
Collins, Tricia, and Richard Milazzo. An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns New York. New York: White Columns, 1991.
Dexter, Emma. Vitamin D: New Perspectives in Drawing. London: Phaidon Press, 2005.
Editors of McSweeney’s. More Things Like This. San Francisco: Chronicle Books, 2009.
Furness, Rosalind, ed. Frieze Art Fair Yearbook 2010–2011. London: Frieze, 2010.
Gillick, Liam. White Cube: 44 Duke Street, St. James’s, London. 2 vols. Göttingen, Germany: Steidl Publishers, 2002.
Goldsmith, Kenneth. The Agents of Impurity. London: Sonic Arts Network, 2004.
Gould, Claudia, and Valerie Smith, eds. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998.
Haden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly Press, 1996.
Higgie, Jennifer, ed. The Artist’s Joke. London: Whitechapel Gallery; Cambridge, Massachusetts: The MIT Press, 2007.
Hiromoto, Nobuyuki, et al. Global New Art: Taguchi Art Collection #01. Tokyo: Bijutsu Shuppan-Sha Co., 2010.
Hoet, Jan, Joost Declerq and Peter Doroshenko. Collection Vanmoerkerke. Brussels: Rispoli Books, 2011.
Jetzer, Gianni, ed. The Swiss Institute Experience. Zürich: JRP|Ringier Kunstverlag AG, 2013.
Le Feuvre, Lisa, ed. Failure. London: Whitechapel Gallery; Cambridge, Massachusetts: The MIT Press, 2010.
Lyttelton, Celia. The Now Art Book. Tokyo: Shiseido and Korinsha Press & Co., 1996.
Marcopoulos, Ari, ed. Release. Zürich: JRP|Ringier c/o Christophe Daviet-Thery, 2006.
Ojeda, Oscar Riera, and James McCown. Spaces: Architecture in Detail. Gloucester, MA: Rockport Publishers, 2005.
Pasternak, Anne, et al. Creative Time: The Book: 33 Years of Public Art in New York City. New York: Princeton Architectural Press, 2006.
Riemschneider, Burkhard, and Uta Grosenick, eds. Art at the Turn of the Millennium. Cologne: Benedikt Taschen Verlag, 1999.
Roberts, Kevin. Lovemarks: The Future Beyond Brands. New York: powerHouse Books, 2004.
Romano, Gianni. Bloom: Contemporary Art Garden. Milan: Gotham, 1999.
Schwabsky, Barry. Vitamin P: New Perspectives in Painting. London: Phaidon Press, 2002.
Selby, Aimee, ed. Art and Text. London: Black Dog Publishing, 2009
Stallabrass, Julian. Contemporary Art: A Very Short Introduction. New York: Oxford University Press, 2004.
Tomkins, Calvin. Lives of the Artists. New York: Henry Holt and Company, 2008.
Untitled publication. New York: Feature Inc., 2007.
EXHIBITION CATALOGUES AND BROCHURES
Angelidakis, Andreas and Maria Cristina Didero. The System of Objects–The Dakis Joannou Collection Reloaded. Athens: DESTE Foundation for Contemporary Art, 2014.
Arning, Bill. Essay in The Anti-Masculine (Overlapping but Not Corresponding to the Feminine). Los Angeles: Kim Light Gallery, 1993.
———. Essay in Lyric—Uses of Beauty at the End of the Century. New York: White Columns, 1990.
Aupetitalot, Yves, ed. Private View 1980–2000: Collection Pierre Huber. Zürich: JRP|Ringier, 2005. (Sean Landers is included in the catalogue, but not in the exhibition)
Ayres, Anne, et al. Narcissistic Disturbance. Los Angeles: Otis College of Art and Design, 1995.
Bernbach, Sarah. 2000 Años Luz. Santa Cruz de Tenerife, Spain: Instituto Oscar Domíngez de Arte y Cultura Contemporánea, 2000.
Biesenbach, Klaus, and Nicolaus Schafhausen. Nach Weimar. Ostfildern-Ruit, Germany: Cantz Verlag; Weimar, Germany: Kunstsammlungen zu Weimar, 1996.
Bonami, Francesco, and Judith Nesbitt. Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery; Chicago: Museum of Contemporary Art, 1999.
Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnik, eds. Of Mice and Men: 4th Berlin Biennial for Contemporary Art. Ostfildern-Ruit, Germany: Hatje Cantz, 2006.
Costantino, Lisa, and Valerie Hillings. SoHo at Duke IV: In Search of Self. Durham, NC: Duke University Museum of Art, 1993.
Cruz, Amada, et al. Center for Curatorial Studies Tenth Anniversary. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College Publications, 2002.
Decter, Joshua, ed. A/drift. Annandale-on-Hudson, NY: Bard Publications Office, 1997.
———. Don’t Look Now. New York: Thread Waxing Space, 1994.
———. Transgressions in the White Cube: Territorial Mappings. Bennington, VT: Bennington College, 1992.
Decter, Joshua, et al. Tele[visions]: Kunst Sieht Fern. Vienna: Kunsthalle Wien, 2001.
Deitch, Jeffrey, ed. Monument to Now: The Dakis Joannou Collection. Athens: DESTE Foundation for Contemporary Art, 2004. (Sean Landers is included in the catalogue, but not in the exhibition)
———. Young Americans: New American Art in the Saatchi Collection. London: Saatchi Gallery, 1996.
Diehr, Ursula and Holger Steinemann, eds. Unlimited. Ostfildern: Hatje Cantz Verlag, 2013.
Elger, Dietmar. Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk. Ostfildern-Ruit, Germany: Cantz Verlag, 1994.
Fortes, Márcia. Hanging. São Paulo: Galeria Camargo Vilaça, 1998.
Farquharson, Alex and Martin Clark. Aquatopia: The Imaginary of the Ocean Deep. London: Tate Publishing, 2013.
FitzGerald, Michael. Post-Picasso, Contemporary Reactions. Barcelona: Fundacio Museu Picasso de Barcelona, 2014. (Sean Landers is included in the catalogue, but not in the exhibition)
Gilman, Claire. Drawing Time, Reading Time. New York: The Drawing Center, 2014.
Gioni, Massimiliano and Gary Carrion-Murayari, eds. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013.
Gisbourne, Mark. Face/Off: A Portrait of the Artist. Cambridge, UK: Kettle’s Yard, 2002.
Ha, Paul, Cynthia Daignault and Michelle Reyes Landers, eds. Sean Landers: 1990–1995, Improbable History. Zürich: JRP|Ringier Kunstverlag AG, Contemporary Art Museum St. Louis, 2011.
Hapgood, Susan. Slightly Unbalanced. New York: Independent Curators International, 2008.
Henry, Max. The Sorcerer’s Apprentice—Late Picasso and Contemporary Painters. Copenhagen: Galleri Faurschou, 2007.
Higgs, Matthew. Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2007.
———. To Whom It May Concern. San Francisco: CCAC Wattis Institute, 2002.
Higgs, Matthew, Kevin Killian, and David Robbins. Likeness: Portraits of Artists by Other Artists. San Francisco: CCA Wattis Institute for Contemporary Arts; New York: Independent Curators International, 2004.
International Festival of Films on Art. Knokke, Belgium: Internationaal Festival van de Kunstfilm, 1995.
Jouannais, Jean-Yves. Infamie. Paris: Editions Hazan, 1995.
Kalpaktsoglou, Xenia, Poka-Yio, and Augustine Zenakos, eds. 1st Athens Biennale 2007: Destroy Athens. Athens: Athens Biennale; London: Futura Publications, 2007.
Kertess, Klaus. Drawings 2000. New York: Barbara Gladstone Gallery, 2000.
Kontova, Helena. Audience 0.01: International Video. Milan: Giancarlo Politi Editore, 1994.
Landers, Michelle Reyes, ed. Sean Landers: North American Mammals. New York: Petzel, 2014.
Landers, Sean. Sean Landers, November–December 2012. Brussels: Galerie Rodolphe Janssen, 2012.
Lauf, Cornelia, and Clive Phillpot. Artist/Author: Contemporary Artists’ Books. New York: DAP/Distributed Art Publishers; American Federation of Arts, 1998.
Leiber, Steven. Extra Art: A Survey of Artists’ Ephemera, 1960–1999. Santa Monica, CA: Smart Art Press, 2001.
L’Esprit Bibliothèque. Paris: La Galerie du Mois, 1991.
Louis, Eleonora, Christian Theo Steiner, and Tony Stooss, eds. Die Sprache der Kunst. 2 vols. Stuttgart: Edition Cantz, 1993.
Mac Giolla Léith, Caoimhín. Sean Landers: A Midnight Modern Conversation. New York: Marianne Boesky Gallery, 2011.
Marta, Karen, ed. Freedom not Genius: Works from Damien Hirst’s Murderme Collection. Turin: La Pinacoteca Giovanni e Marella Agnelli; London: Other Criteria, 2012.
Matsui, Midori. Masahiko Kuwahara: View. Tokyo: Tomio Koyama Gallery, 1999.
McCarthy, Dan. It’s Always Summer on the Inside. New York: Anton Kern Gallery, 2012.
Moeglin-Delcroix, Anne, et al. Guardare, raccontare, pensare, conservare: Quattro percorsi del libro d’artista dagli anni sessanta ad oggi. Mantova, Italy: Edizione Corraini, 2005.
Morsiani, Paola. Superconscious: Automatisms Now. Houston: Contemporary Arts Museum Houston, 2007.
Newman, Sasha M., and Lesley K. Baier, eds. Yale Collects Yale. New Haven, CT: Yale University Art Gallery, 1993.
Obrist, Hans-Ulrich, and Nicola Lees, Lucia Pietroiusti, eds. Serpentine Gallery Poetry Marathon. Cologne: Verlag der Buchhandlung Walther König, 2012.
Obrist, Hans-Ulrich, et al. In the Darkest Hour There May Be Light: Works from Damien Hirst’s Murderme Collection. London: Serpentine Gallery/Other Criteria, 2006.
Oliva, Achille Bonita, and Helena Kontova. Aperto ’93: Emergency/Emergenza: XLV Biennale di Venezia. Milan: Giancarlo Politi Editore, 1993.
Oppenheim, Erik, ed. Under Thirty. Vienna: Galerie Metropol, 1993.
Paradise Europe. Copenhagen: BizArt, 1992.
Perrée, Rob. Can You Always Believe Your Eyes? Recente Amerikaanse Tekeningen. Breda, the Netherlands: De Beyerd Centrum voor Beeldende Kunst, 1994.
Phillips, Richard, ed. Total Metal. New York: Simon Watson Gallery, 1990.
Ritvo, Harriet, Tommy L. Lott, and Ron Platt. Next of Kin: Looking at the Great Apes. Cambridge, MA: MIT List Visual Arts Center, 1995.
Rosenberg, Barry A., and Carol Nathanson. Words and #s. Dayton, OH: Wright State University, 1991.
Rüdiger, Ulrike, Peter Friese, et al. Sammlung Volkmann zeigt: Faustrecht der Freiheit. Gera, Germany: Kunstsammlung Gera; Bremen, Germany: Neues Museum Weserburg Bremen, 1996.
Ruf, Beatrix, ed. Blasted Allegories: Works from the Ringier Collection/Werke aus der Sammlung Ringier. Zürich: JRP|Ringier, 2008.
———, ed. Sean Landers: Kunsthalle Zürich. Zürich: JRP|Ringier Kunstverlag AG, 2004. Reprinted 2008.
Sánchez, Osvaldo, et. al. Colección Jumex. Mexico City: Instituto Nacional de Bellas Artes; Museo de Arte Alvar y Carmen T. de Carrillo Gil, 1999.
Sand, Gabriele. Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk. Bonn: VG Bild-Kunst, 1994.
Sanders, Jeremy and Johan Kugelberg. Artists’ Book Not Artists’ Book. New York: Boo-Hooray; 6 Decades, 2012.
Schafaff, Jörn, and Stephan Schmidt-Wulffen, eds. Kunst . . . Arbeit: Aus der Sammlung Südwest LB. Ostfildern-Ruit, Germany: Cantz Verlag, 1997.
Schimmel, Paul, et al. Public Offerings. New York: Thames & Hudson; Los Angeles: Museum of Contemporary Art, Los Angeles, 2001. (Sean Landers is included in the catalogue, but not in the exhibition)
Schlicht, Esther, and Max Hollein, eds. René Magritte 1948: La Période Vache. Antwerp: Ludion, 2008. (Sean Landers is included in the catalogue, but not in the exhibition)
Schmidt-Wulffen, Stephan, and Barbara Steiner. Backstage: Topologie zeitgenössischer Kunst. Hamburg: Kunstverein in Hamburg, 1993.
Spadoni, Claudio, et al. Arte Americana, Ultimo Decennio. Milan: Edizione Gabriele Mazzotta, 2000.
Spindler, Gabriele, et al. Scheitern. Weitra, Austria: Bibliothek Der Provinz, 2007.
Survivor. New York: Bortolami Dayan, 2006.
This Is Killing Me. North Adams, MA: Massachusetts Museum of Contemporary Art, 2010.
Torben, Christensen. Into the Lapse. Copenhagen: Billedkunstskolerne det Kongelige Danske Kunstakademi, 1993.
Tsingou, Emily, and Stella Sevastopoulou, eds. Push-Ups. Athens: Athens Fine Arts School, 1996.
Ungers, Sophia. Gullivers Reisen—Gulliver’s Travels. Cologne: DuMont Buchverlag, 1991.
Weinhart, Martina, and Max Hollein, eds. The Making of Art. Cologne: Verlag der Buchandlung Walther König, 2009.
Zdenek, Felix, et al. Das Jahrhundert des Multiple von Duchamp bis zur Gegenwart. Hamburg: Oktagon Verlag, 1994.
“Genius Lessons #1. About Me and You.” Spin, June 1996, 140.
“Genius Lessons #2. Owe!” Spin, July 1996, 112.
“Genius Lessons #3. Nylon Gym Shorts.” Spin, August 1996, 124.
“Genius Lessons #5. French Burp.” Spin, October 1996, 156.
“Genius Lessons #6. All Ages.” Spin, November 1996, 144.
“Genius Lessons #8. Andy Rooney of Spin.” Spin, January 1997, 100.
“Genius Lessons #15. Get Psyched Landers.” Spin, August 1997, 136.
“Genius Lessons #16. Holding Farts.” Spin, September 1997, 182.
“Genius Lessons #17. Classic Schlock.” Spin, October 1997, 156.
“Genius Lessons #18. Send Naked Photos.” Spin, November 1997, 163.
“Genius Lessons #19. Bad Advice.” Spin, December 1997, 176.
“Genius Lessons #20. Soapsuds Afro.” Spin, January 1998, 124.
“Genius Lessons #21. It’s Not a Wonderful Life.” Spin, February 1998, 116.
“Genius Lessons #22. I’m Baaack, I Think.” Spin, March 1998, 144.
“Genius Lessons #23. Genasauras Rex.” Spin, April 1998, 136.
“Genius Lessons #24. Jewel.” Spin, May 1998, 148.
“Genius Lessons #25. Pep Talk.” Spin, June 1998, 144.
“Genius Lessons #26. Love/Hate.” Spin, July 1998, 136.
“Genius Lessons #27. King of the World.” Spin, August 1998, 152.
“Genius Lessons #28. Homicidal Nerds.” Spin, September 1998, 200.
“Genius Lessons #29. Teen Poetry Contest.” Spin, October 1998, 158.
“Genius Lessons #30. Teen Pregnancy.” Spin, November 1998, 152.
“Genius Lessons #31. One Dollar Sean.” Spin, December 1998, 192.
“Genius Lessons #32. Seaani Shanker.” Spin, January 1999, 128.
“Genius Lessons #33. The Winners.” Spin, February 1999, 120.
“Genius Lessons #34. Be a Lesbian.” Spin, March 1999, 152.
“Genius Lessons #35. President Landers.” Spin, April 1999, 176.
“Genius Lessons #36. The Flower of Youth.” Spin, May 1999, 160.
“Genius Lessons #37. Commencement Speech.” Spin, June 1999, 152.
“Genius Lessons #38. Jane.” Spin, July 1999, 144.
“Genius Lessons #39. March of Dimes Ball Ache.” Spin, August 1999, 168.
“Genius Lessons #40. A Very Special Lesson.” Spin, September 1999, 208.
“Genius Lessons #41. The Apple Tree.” Spin, October 1999, 176.
“Genius Lessons #42. Dream.” Spin, November 1999, 200.
“Genius Lessons #43. Candle Night in the Bathtub.” Spin, December 1999, 240.
“Genius Lessons #44. Father Sean.” Spin, January 2000, 134.
“Genius Lessons #45. A New Contest.” Spin, February 2000, 120.
“Genius Lessons #46. Underwear in the Woods.” Spin, March 2000, 160.
“Genius Lessons #47. 15 Years of Monkey Slappin’ Retards.” Spin, April 2000, 208.
“Genius Lessons #48. The Winner.” Spin, May 2000, 168.
“Genius Lessons #49. Scalp Walk.” Spin, June 2000, 168.
- Private Area